not there a moment before--strange gnomes, clumsy and burly, slow of movement, but swift and mysterious of appearance and disappearance. The beetling ledges here and there imprinted strong black similitudes of their jagged contours on the floor; with the glowing, weird illumination the place seemed far more uncanny than before, and Leander, with his face pensive once more in response to the gentle strains slowly elicited by the bow trembling with responsive ecstasy, his large eyes full of dreamy lights, his curling hair falling about his cheek as it rested upon the violin, his figure, tall and slender and of an adolescent grace, might have suggested to the imagination a reminiscence of Orpheus in Hades. They all listened in languid pleasure, without the effort to appraise the music or to compare it with other performances--the bane of more cultured audiences; only the ardent amateur, seated close at hand on a bowlder, watched the bowing with a scrutiny which betokened earnest anxiety that no mechanical trick might elude him. The miller's half-grown son, whose ear for any fine distinctions in sound might be presumed to have been destroyed by the clamors of the mill, sat a trifle in the background, and sawed away on an imaginary violin with many flourishes and all the exaggerations of mimicry; he thus furnished the zest of burlesque relished by the devotees of horse-play and simple jests, and was altogether unaware that he had a caricature in his shadow just behind him, and was doing double duty in making both Leander and himself ridiculous. Sometimes he paused in excess of interest when the music elicited an amusement more to his mind than the long-drawn, pathetic cadences which the violinist so much affected. For in sudden changes of mood and in effective contrast the tones came showering forth in keen, quick staccato, every one as round and distinct as a globule, but as unindividualized in the swift exuberance of the whole as a drop in a summer's rain; the bow was but a glancing line of light in its rapidity, and the bounding movement of the theme set many a foot astir marking time. At last one young fellow, an artist too in his way, laid aside his pipe and came out to dance. A queer _pas seul_ it might have been esteemed, but he was light and agile and not ungraceful, and he danced with an air of elation--albeit with a grave face--which added to the enjoyment of the spectator, for it seemed so slight an effort. He was long-winded, and was still bounding about in the double-shuffle and the pigeon-wing, his shadow on the wall nimbly following every motion, when the violin's cadence quavered off in a discordant wail, and Leander, the bow pointed at the waterfall, exclaimed: “Look out! Somebody's thar! Out thar on the rocks!” [Illustration: Look out! Somebody's thar! 313]