The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Ruth rode in the curious old cart, which Pop Snooks had made from
material found about the farm. She was to represent a country maid of
a generation past--and very pretty she looked, too, in her wide
skirts and poke bonnet, covered with roses. Quite in contrast to the
long and lanky figure Mr. Bunn, who in a nondescript suit, rode the
mule that drew the cart, after the fashion of an English postillion.
The play was a comic one without much rhyme or reason, but it was
found that audiences occasionally liked things of that sort, so the
films were made.
The day for the humorous film had arrived, and all went well until
the scene came with the mule. Even the first part of that was
successfully taken, though Mr. Bunn kept muttering to himself over
the fact that he had to blacken his face.
But he rode the beast, which certainly did nothing out of the
ordinary, though Mr. Sneed, with his usual gloomy forebodings,
confided to Pop that the beast had a wicked look in his eyes.
Ruth had ridden in the cart along the country road and had alighted
from the vehicle, her part being over. Then, just as Mr. Bunn was
about to get off the mule's back a bee, or some other insect, stung
the animal.
With a "Hee-haw!" worthy of his name the mule lashed out with his
hind feet and, in an instant, the frail cart that Pop Snooks had
constructed was kicked to bits. It was lucky that Ruth was out of it.
As for Wellington Bunn, he fell forward on the mule's back when the
animal kicked out, and there, holding on tightly, the actor clung,
while the beast dashed off down the road, dragging behind him the
shafts and a small part of the cart.
"There he goes! I knew something would happen to him!" cried Mr.
Sneed. "To-day is Friday!"
"Oh, he'll be hurt--maybe killed!" cried Ruth, for, in spite of his
rather too-tragic airs, Mr. Bunn was liked by all.
"I guess he won't get hurt much!" exclaimed Sandy. "Hee-haw never
runs far, an' he never did such a thing before."
However, all the men ran down the road to see the outcome of the
happening to Mr. Bunn, and to lend help, if necessary.
On ran the mule, seemingly not slackening speed, and to his neck, so
that he should not fall off, clung the actor. His long legs flapped
up and down, and swayed from side to side, while his cries of wild
distress floated back to his friends.
"Stop him! Don't let him run! Grab him, somebody!" pleaded Mr. Bunn.
But there was no one who could stop the animal.
However, the ride was not destined to be a long one. The mule ran
along the highway, leaped a roadside ditch, and then stopped short in
front of a grassy bank. So sudden was the halt that Mr. Bunn shot
over the animal's head, his hold around the neck being broken, and he
was thus neatly upset, coming down amid the luxurious growth of
grass.
Public-domain text, read in full here on John Shaqi.
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