Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
On the ground floor were dining-room and kitchen, below that a
well-filled cellar. The hall was toned a rich Pompeiian red, and was lit
by two windows of brilliant stained glass which had been put in when
the building was transformed from a residence into a studio. “Oh, yes,”
Barney would say, when he was complimented on these windows. “They
are all very well in their way, but not original, don’t you know, not
original. No, they are simply nicely executed copies of a portion of
a window in Cologne Cathedral done in 1508. I placed them there
temporarily, because I have been so busy that I have not had time to
design anything better myself, which I shall do later on, don’t you
know.”
But of all the ornamental appendages to this studio, perhaps the most
striking was Barney’s “man,” attired in a livery of blue, crimson, and
silver, which was exceedingly effective. Although Barney had not
had time to design a stained-glass window which would excel those of
Cologne, he had been compelled to sketch out this livery, for it was
not a thing that one could copy from abroad, and the Hope family had
not been established long enough to have a recognized livery of its
own. Nothing gives character and dignity to a place so much as a “man”
sumptuously fitted out in a style that is palpably regardless of
cost, and if it may be plainly seen that the “man” performs no needful
function whatever, then is the effect heightened, for few human beings
attain the apex of utter inutility. The great hotels of this country
recognize the distinction reflected upon them by the possession of a
creature of splendour at their doors, who grandly wafts the incoming
guests with a hand-wave towards the hall. But these persons of
embellishment often demean themselves by opening the doors of cabs
and performing other useful acts, thus detracting from their proper
function, which was, Barney insisted, to content themselves with being
merely beautiful.
When a visitor once complained that the man at the top of the stair had
refused to direct him into the studio, Barney laid his right hand in
friendly brotherliness on the visitor’s shoulder, and said:
“He knew, dear boy, that I would discharge him instantly if he so far
forgot himself as to answer a question.”
“Then what is he there for?” asked the visitor, with some indignation.
“I don’t see the use of him.”
Public-domain text, read in full here on John Shaqi.
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