The Mystery of Witch-Face Mountain, and Other StoriesCraddock, Charles Egbert
General
The Mystery of Witch-Face Mountain, and Other Stories
Craddock, Charles Egbert
Cumberland Mountains -- Fiction; Mountain life -- Fiction; Tennessee -- Social life and customs -- Fiction
"Yes, the sense and the enterprise. Now, these mountaineers,"--he
spoke as if she had no part among them, forgetting it, indeed, for the
moment,--"they let marble and silver and iron, and gold too, all sorts
of natural wealth, millions and millions of the finest hard-wood
timber, lie here undeveloped, without making the least effort to
realize on it, without lifting a finger. They have got no enterprise
in the world, and they are the most dilatory, slowest gang I ever ran
across in my life."
A dimple deepened in the soft fairness of her cheek under the white
sunbonnet.
"They got enterprise enough ter want a road," she drawled, fixing her
eyes upon him for a moment, then reverting to her former outlook.
He was a trifle embarrassed, and lost his balance.
"Oh, _I_'ll want a road, too, after a while," he returned. "All in
good time." He laughed as if to himself, a touch of mystery in his
tone, and he took off his hat and jauntily fanned himself.
"Sorter dil'tory yerse'f now; 'pears ter be a ketchin' complaint, like
the measles."
Perhaps she secretly resented the reflection on the mountaineers, for
there was a certain bellicose intention in her eye, a disposition to
push him to his last defenses.
"No; but a body would think a fellow might get enough intelligent
cooperation in any promising matter from right around here without
corresponding all over the country. And the mountaineers don't know
anything, and they don't want to learn anything. Now," convincingly,
"what would any of those fellows in there say if I should tell them
that I could take a match "--he pulled a handful of lucifers from, his
pocket--"and set a spring afire?"
She gazed at him in dumb surprise.
"They'd say I was lying, I reckon," he hazarded. With an ebullition of
laughter, he hastily scrambled to his feet and unhitched his horse;
then, as he put his foot in the stirrup, he paused and added, "Or
else, 'Better leave it be, sonny,'" with the effrontery of mimicry.
"'Mought set the mounting afire.'"
He forthwith swung himself into the saddle, and, with a jaunty wave of
the hand in adieu, fared forth homeward, leaving her staring after him
in wide-eyed amazement.
VII.
Public-domain text, read in full here on John Shaqi.
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