The Mysteryes of Nature and Art: Conteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and InventionBate, John
Science
The Mysteryes of Nature and Art: Conteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and Invention
Bate, John
Art -- Early works to 1800; Fireworks -- Early works to 1800; Science -- Early works to 1800; Waterworks -- Early works to 1800
Take Azure or Bise, and grinde it on a stone with cleane water; then
put it in a broad glasse, or shell, and when it hath stood a while all
the dregs will sleet above, and the cleane colour will fall to the
bottome; then poure out the water with the dregs, and poure the azure
in cleane water againe; then stirre the colour and water together, and
let it stand, and fine, and after that poure out the water, and dregs
againe: do thus till it be well purged; then grinde it againe on a
stone with gumme-water, and put it into a horne, or shell; when you
paint or write, stirre it, and let the sticke drop into the pen, for it
will sinke to the bottome as lead.
_To temper Turnsole._
Take Turnsole, and wet it once or twice in cleare water, and let it lye
till it be well steeped; then wring it into a dish till the colour be
good, and sad; with this you may flourish red letters, or vestures, and
this colour shall be darked, sadded, or renewed with blacke inke.
_To make colouring, called Vernix: to varnish gold,
silver, or any other colour on vellem, paper,
timber, stone, &c._
Take Bengewine, and bray it well betwixt two papers, then put it into a
viol, and poure on it _Aqua vitæ_, that it may stand aboue the
bengewine three or foure fingers, and let it steepe so a day or two;
then put to it for halfe a violl of _Aqua vitæ_ fiue or sixe chieues of
Saffron slenderly stamped; this done, straine it, and with a Pensil
vernish therewith any thing gilded, which will become bright and
shining, drying it selfe immediately, and will continue the brightnesse
many yeares; But if you will varnish on siluer, then take the white
that is found in Bengewine and dresse it with _Aqua vitæ_ as afore,
leauing out the Saffron, and the said vernish made with these onely is
very good to varnish all things as well painted, as not painted: for it
maketh Tables of Walnut tree and Hebene to glister if it bee laid on
them; and all other things, as Iron, Copper, or Tin gilded, or not; it
maketh bright, preserveth and aideth the colour, and dryeth incontinent
without taking dust.
_To make a double size to lay gold or silver on an embossed
ground._
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