Every morning of the year, at exactly eight o’clock, a new and almost
tenantless house in a remote quarter of Paris, echoed to cries, calls,
merry laughter, ringing clear in the desert of the staircase:
“Father, don’t forget my music.”
“Father, my crochet wool.”
“Father, bring us some rolls.”
And the voice of the father calling from below:
“Yaia, bring me down my portfolio, please.”
“There you are, you see! He has forgotten his portfolio.”
And there would be a glad scurry from top to bottom of the house, a
running of all those pretty faces confused by sleep, of all those heads
with disordered hair which the owners made tidy as they ran, until the
moment when, leaning over the baluster, half a dozen girls bade loud
good-bye to a little, old gentleman, neat and well-groomed, whose
reddish face and short profile disappeared at length in the spiral
perspective of the stairs. M. Joyeuse had departed for his office.
At once the whole band, escaped from their cage, would rush quickly
upstairs again to the fourth floor, and, the door having been opened,
group themselves at an open casement to gain one last glimpse of their
father. The little man used to turn round, kisses were exchanged across
the distance, then the windows were closed, the new and tenantless house
became quiet again, except for the posters dancing their wild saraband
in the wind of the unfinished street, as if made gay, they also, by all
these proceedings. A moment later the photographer on the fifth floor
would descend to hang at the door his showcase, always the same, in
which was to be seen the old gentleman in a white tie surrounded by his
daughters in various groups; he went upstairs again in his turn, and the
calm which succeeded immediately upon this little morning uproar left
one to imagine that the “father” and his young ladies had re-entered the
case of photographs, where they remained smiling and motionless until
evening.
From the Rue Saint-Ferdinand to the establishment of Hemerlingue &
Son, his employers, M. Joyeuse had a good three-quarters of an hour’s
journey. He walked with head erect and straight, as though he had feared
to disarrange the smart knot of the cravat tied by his daughters, or his
hat put on by them, and when the eldest, ever anxious and prudent, just
as he went out raised his coat-collar to protect him against the
harsh gusts of the wind that blew round the street corner, even if the
temperature were that of a hothouse M. Joyeuse would not lower it again
until he reached the office, like the lover who, quitting his mistress’s
arms, dares not to move for fear of losing the intoxicating perfume.
Public-domain text, read in full here on John Shaqi.
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