"Holy Moses! if this ain't a queer start," remarked Mr. Benjamin Levy, shaking the wet from his clothes, and slowly filling a pipe. "Wants him copped for murder, and yet tries to get him to make up to her. She's a deep un, she is. I wonder if she was in earnest! If only she was, I think I see my way to a real good thing--a real good thing," he repeated, meditatively. CHAPTER XV A LITERARY CELEBRITY It was Tuesday afternoon, and the Countess of Meltoun was at home to the world--that is to say, her world. The usual throng of men of fashion, guardsmen, literary men, and budding politicians were bending over the chairs of their feminine acquaintances, or standing about in little groups talking amongst themselves. The clatter of teacups was mingled with the soft hum of voices; the pleasantly shaded room was heavy with the perfume of many flowers. People said that Lady Meltoun was the only woman in London who knew how to keep her rooms cool. It was hard to believe that outside the streets and pavements were hot with the afternoon sun. Helen Thurwell, who had come late with her aunt, was sitting on a low couch near one of the windows. By her side was Sir Allan Beaumerville, and directly in front of her the Earl of Meltoun, with a teacup in his hand, was telling her stories of his college days with her father. There had been a great change in her during the last six months. Looking closely into her face, it seemed as though she had felt the touch of a deep sorrow--a sorrow which had left all its refining influences upon her without any of the ravages of acute grief. Those few minutes in the pine grove by the sea had left their indelible mark upon her life, and it was only the stimulating memory of his own words to her concerning the weakness of idle yielding to regret, and the abstract beauty of sorrow which had been her salvation. They had come back to her in the time of her suffering fresh and glowing with truth; she had found a peculiar comfort in them, and they had become her religion. Thus she had set herself to conquer grief in the highest possible manner--not by steeping herself in false excitement, or rushing away for a change of scene, but by a deliberate series of intellectual and artistic abstractions, out of which she had come, still in a manner sorrowful, but with all her higher perceptions quickened and strengthened until the consciousness of their evolution, gradually growing within her, gave a new power and a new sweetness to her life. And of this victory she showed some traces in her face, which had indeed lost none of its physical beauty, but which had now gained a new strength and a new sweetness. She was more admired than ever, but there were men who called her difficult--even a little fastidious, and others who found her very hard to get on with. The great artist who had just taken Sir Allan Beaumerville's place by her side was not one of these.