Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
He ran to the bank, dived into the water, and in three minutes was back
with the dripping mass in his arms. He gave it into Margery’s hands,
saying kindly while he shook himself like a large spaniel; "There! it is
n’t hurt a mite!"
With a cry of delight Margery seized the "angel’s gift" and kissed the
hand that restored it. Then she turned upon the convict.
"When I go back to my cabin in the woods," she said, solemnly, and with
her finger up, "I shall whistle all the fairy folk into a ring, all the
elves and the pixies, and the little brown gnomes who burrow in the
leaves and look for all the world like pine cones, and I shall tell them
what you did, and to-night they will come to your cabin, and will pinch
you black and blue, and stick thorns into you, and rub you with the
poison leaf until you are blotched and swelled like the great bull frog
that croaks, croaks, in these marshes."
There was an uneasy ring in the convict’s laugh, full of bravado as he
meant it to be. Margery continued with an ominously extended
forefinger. "And then they will fly to the great house where the master
lies sleeping, and they will whisper to him that you took away the
angel’s gift from poor, lost Margery, and he will be angry, for he is
good to Margery, and to-morrow he will make Woodson do to you what he
did to-day to the Breaking Heart."
"To the Breaking Heart!" exclaimed her auditors.
Margery nodded. "Yes, the Breaking Heart. You call him Landless."
The Muggletonian sat up. "What dost thou mean, wretched woman! fit
descendant of the mother of all evil?"
Margery, offended by his tone, only pursed up her lips and looked wise.
"What did the master have done to Landless, Margery?" asked the youth.
Margery threw her worn figure into a singular posture. Standing
perfectly straight, she raised her arms from her sides and spread them
stiffly out, the hands turned inward in a peculiar fashion. Then, still
with extended arms, she swayed slightly forward until she appeared to
lean against, or to be fastened to, some support. Next she threw her
head back and to one side, so that her face might be seen in three
quarter over her shoulder. Her mobile features wreathed themselves in
an expression of pain and rage. Her brows drew downward, her thin lips
curled themselves away from the gleaming teeth, and, at intervals of
half a minute or more, her eyelids quivered, she shuddered, and her
whole frame appeared to shrink together.
The pantomime was too expressive to be misunderstood by men each of whom
had probably his own reasons for recognizing some one or all of its
features. The convict broke into a yelling laugh, in which he was
joined, though in a subdued and sinister fashion, by Luiz Sebastian.
The rustics looked at each other with slow grins of comprehension, and
the blue-eyed youth uttered a long shrill whistle. The great letter
upon the cheek of the Muggletonian turned a deeper red, and his eyes
burned. The youth was curious.
Public-domain text, read in full here on John Shaqi.
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