The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.Streatfeild, R. A. (Richard Alexander)
History
The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.
Streatfeild, R. A. (Richard Alexander)
Opera
The scene is laid at the country-house of Count Almaviva. Figaro, the
Count's valet, and Susanna, the Countess's maid, are to be married that
day; but Figaro, who is well aware that the Count has a penchant for his
_fiancee_, is on his guard against machinations in that quarter. Enter
the page Cherubino, an ardent youth who is devotedly attached to his
mistress. He has been caught by the Count flirting with Barberina, the
gardener's daughter, and promptly dismissed from his service, and now
he comes to Susanna to entreat her to intercede for him with the
Countess. While the two are talking they hear the Count approaching, and
Susanna hastily hides Cherubino behind a large arm-chair. The Count
comes to offer Susanna a dowry if she will consent to meet him that
evening, but she will have nothing to say to him. Basilio, the
music-master, now enters, and the Count has only just time to slip
behind Cherubino's arm-chair, while the page creeps round to the front
of it, and is covered by Susanna with a cloak. Basilio, while repeating
the Count's proposals, refers to Cherubino's passion for the Countess.
This arouses the Count, who comes forward in a fury, orders the
immediate dismissal of the page, and by the merest accident discovers
the unlucky youth ensconced in the arm-chair. As Cherubino has heard
every word of the interview, the first thing to do is to get him out of
the way. The Count therefore presents him with a commission in his own
regiment, and bids him pack off to Seville post-haste. Figaro now
appears with all the villagers in holiday attire to ask the Count to
honour his marriage by giving the bride away. The Count cannot refuse,
but postpones the ceremony for a few hours in the hope of gaining time
to prosecute his suit. Meanwhile the Countess, Susanna, and Figaro are
maturing a plot of their own to discomfit the Count and bring him back
to the feet of his wife. Figaro writes an anonymous letter to the Count,
telling him that the Countess has made an assignation with a stranger
for that evening in the garden, hoping by this means to arouse his
jealousy and divert his mind from the wedding. He assures him also of
Susanna's intention to keep her appointment in the garden, intending
that Cherubino, who has been allowed to put off his departure, shall be
dressed up as a girl and take Susanna's place at the interview. The page
comes to the Countess's room to be dressed, when suddenly the
conspirators hear the Count approaching. Cherubino is hastily locked in
an inner room, while Susanna slips Into an alcove. While the Count is
plying his wife with angry questions, Cherubino clumsily knocks over a
chair. The Count hears the noise, and quickly jumps to the conclusion
that the page is hiding in the inner room. The Countess denies
everything and refuses to give up the key, whereupon the Count drags her
off with him to get an axe to break in the door. Meanwhile Susanna
liberates Cherubino, and takes his place in the inner room, while the
Public-domain text, read in full here on John Shaqi.
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