The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
On the day preceding poor Tom's doomed appearance before the
magistrate, Dame Bakewell had an interview with Austin, who went to
Raynham immediately, and sought Adrian's counsel upon what was to be
done. Homeric laughter and nothing else could be got out of Adrian
when he heard of the doings of these desperate boys: how they had
entered Dame Bakewell's smallest of retail shops, and purchased tea,
sugar, candles, and comfits of every description, till the shop was
clear of customers: how they had then hurried her into her little
back-parlour, where Richard had torn open his shirt and revealed the
coils of rope, and Ripton displayed the point of a file from a
serpentine recess in his jacket: how they had then told the
astonished woman that the rope she saw and the file she saw were
instruments for the liberation of her son; that there existed no
other means on earth to save him, they, the boys, having
unsuccessfully attempted all: how upon that Richard had tried with
the utmost earnestness to persuade her to disrobe and wind the rope
round her own person: and Ripton had aired his eloquence to induce
her to secrete the file: how, when she resolutely objected to the
rope, both boys began backing the file, and in an evil hour, she
feared, said Dame Bakewell, she had rewarded the gracious permission
given her by Sir Miles Papworth to visit her son, by tempting Tom to
file the Law. Though, thanks be to the Lord! Dame Bakewell added,
Tom had turned up his nose at the file, and so she had told young
Master Richard, who swore very bad for a young gentleman.
"Boys are like monkeys," remarked Adrian, at the close of his
explosions, "the gravest actors of farcical nonsense that the world
possesses. May I never be where there are no boys! A couple of boys
left to themselves will furnish richer fun than any troop of trained
comedians. No: no Art arrives at the artlessness of nature in
matters of comedy. You can't simulate the ape. Your antics are dull.
They haven't the charming inconsequence of the natural animal. Look
at these two! Think of the shifts they are put to all day long! They
know I know all about it, and yet their serenity of innocence is all
but unruffled in my presence. You're sorry to think about the end of
the business, Austin? So am I! I dread the idea of the curtain going
down. Besides, it will do Ricky a world of good. A practical lesson
is the best lesson."
"Sinks deepest," said Austin, "but whether he learns good or evil
from it is the question at stake."
Adrian stretched his length at ease.
Public-domain text, read in full here on John Shaqi.
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