British -- California -- Fiction; British -- China -- Fiction; Man-woman relationships -- Fiction
“Oh, how clever of you,” said Lucy. “I’d have loved to write but I
never could at all, I’m sure. It’s a gift, isn’t it, really? Tam writes
wonderfully. But then he does everything well. He reads a great deal too.
He often says he doesn’t know where he would be without his books. He
reads wonderfully well aloud. Even here he has brought books. What is the
name of the man who wrote that sad bit of poetry—the ‘Song of the Shirt?’
George Moore. I saw some books of his in Tam’s suitcase. I always tell
him—half in fun, you know—camping isn’t the place for reading. I admire
scenery awfully, don’t you? I am a very observatory person—I often notice
things that Tam missed altogether, and then I tell him and sometimes he
puts it in his books. That is to say, he did once....”
Her uncertainty robbed her manner of the slightest trace of enthusiasm.
She bit her lips and looked at Edward to see if he was listening. She
seemed to be chronically unflattered.
Edward felt ease and complacency covering him as she spoke, just as he
felt the warmth of the fire enveloping his happy body.
“Yes, I love looking at great things,” he said in a proud throaty voice.
“I am myself no reader anywhere, out of doors or indoors.”
Emily was still rudely listening. Nobody else seemed to be talking. Emily
was laughing a little. The low fire made a poppy-yellow light on the
point of her chin, a theatrical light. A duller light was on the soft
silk shirt that followed the gentle lines of her breasts.
“I have got an idea again,” said Emily, thumping the pine needles
excitedly with both her hands. “Oh, now I come to think of it, I can’t
say it so that it sounds a very good idea. It’s about being honest. Did I
talk about it before?”
“Yes,” said Tam, and Emily’s body relaxed with disappointment. Edward
thought that Tam was as hard as concrete and that certainly Emily would
never bear to be laughed at or to be beaten at games. He was quite sure
that she would behave badly at games and contradict the umpire.
“Well then,” said Emily rather lamely, “I’ll talk about it again. Don’t
you think it’s tremendously interesting to make people be honest against
their will? To startle people suddenly into being honest about their
standards—about why they cry and why they laugh and when they lie and
how much they pose? Posing especially. Although everybody poses, only
about ten percent I should think laugh secretly at their own poses.
People’s poses make them slow to admit, for instance, that they laugh
only when there is something a little dirty in the joke, or that they cry
when their conceit is wounded, or that they powder their noses to attract
men and not for the health of their complexions, or that they lie. Let’s
all pose as being absolutely honest. Lucy, quick—how much do you lie?”
Lucy bit her lips. She made a little tower of sticks at the edge of the
fire and tried to convey a little torch of flames to the tower. “Why,
Emily, don’t talk like that. I try not to lie at all, of course.”
Public-domain text, read in full here on John Shaqi.
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