Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
Of late he had been going to his aunt's but seldom, and he had stayed
away because he wanted, above all things in the world, to go. It had
become an agony to go--an anguish to absent himself. Which being
interpreted, means that he was in love. And whom should he love but
Marna? Why should any man trouble himself to love another woman when
this glancing, flashing, singing bird was winging it through the blue?
Were any other lips so tender, so tremulous, so arched, so sweet? The
breath that came between them was perfumed with health; the little rows
of gleaming teeth were indescribably provocative. Actually, the little
red tongue itself seemed to fold itself upward, at the edges, like a
tender leaf. As for her nostrils, they were delicately flaring like
those of some wood creature, and fashioned for the enjoyment of odorous
banquets undreamed of by duller beings. Her eyes, like pools in shade,
breathing mystery and dreams, got between him and his sleep and held him
intoxicated in his bed.
Yes, that was Marna as she looked to the eye of love. She was made for
one man's love and nothing else, yet she was about to become the
well-loved of the great world! She was not for him--was not made for a
man of his mould. She had flashed from obscurity to something rich and
plenteous, obviously the child of Destiny--a little princess waiting for
her crown. He had not even talked to her many times, and she had no
notion that when she entered the room he trembled; and that when she
spoke to him and turned the swimming loveliness of her eyes upon him, he
had trouble to keep his own from filling with tears.
And this was the night of her dedication to the world; the world was
seating her upon her throne, acclaiming her coronation. There was
nothing for him but to go on through an interminably long life, bearing
a brave front and hiding his wound.
He loathed the incoherent music; detested the conductor; despised the
orchestra; felt murderous toward the Italian tenor; and could have slain
the man who wrote the opera, since it made his bright girl a target for
praise and blame. He feared his aunt's scrutiny, for she had sharp
perceptions, and he could have endured anything better than that she
should spy upon his sacred pain. So he sat by her side, passionately
solitary amid a crowd and longing to hide himself from the society
of all men.
But he must be distrait, indeed, if he could forget the claim his good
aunt had upon him. He knew how she loved gayety; and her daily life
offered her little save labor and monotony.
"Supper next," he said with forced cheerfulness as they came out of the
opera-house together. "I'll do the ordering. You'll enjoy a meal for
once which is served independently of you."
Public-domain text, read in full here on John Shaqi.
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