London (England) -- Social life and customs -- 19th century -- Fiction
At this familiar allusion to her stature Lady Aurora turned hither and
thither, a little confusedly; Hyacinth saw her high, lean figure sway
to and fro in the dim little room. Her commotion carried her to the
door, and with ejaculations of which it was difficult to guess the
meaning she was about to depart, when Rosy detained her, having
evidently much more social art than Paul. “Don’t you see it’s only
because her ladyship is standing up that she’s so, you gawk? We are not
thirteen, at any rate, and we have got all the furniture we want, so
that there’s a chair for every one. Do be seated again, Lady Aurora,
and help me to entertain this gentleman. I don’t know your name, sir;
perhaps my brother will mention it when he has collected his wits. I am
very glad to see you, though I don’t see you very well. Why shouldn’t
we light one of her ladyship’s candles? It’s very different to that
common thing.”
Hyacinth thought Miss Muniment very charming: he had begun to make her
out better by this time, and he watched her little wan, pointed face,
framed, on the pillow, by thick black hair. She was a diminutive dark
person, pale and wasted with a lifelong infirmity; Hyacinth thought her
manner denoted high cleverness—he judged it impossible to tell her age.
Lady Aurora said she ought to have gone, long since; but she seated
herself, nevertheless, on the chair that Paul pushed towards her.
“Here’s a go!” this young man exclaimed. “You told me your name, but
I’ve clean forgotten it.” Then, when Paul had announced it again, he
said to his sister, “That won’t tell you much; there are bushels of
Robinsons in the north. But you’ll like him; he’s a very smart little
fellow; I met him at the Poupins.” ‘Puppin’ would represent the sound
by which he designated the French bookbinder, and that was the name by
which Hyacinth always heard him called at Mr Crookenden’s. Hyacinth
knew how much nearer to the right thing he himself came.
“Your name, like mine, represents a flower,” said the little woman in
the bed. “Mine is Rose Muniment, and her ladyship’s is Aurora Langrish.
That means the morning, or the dawn; it’s the most beautiful of all,
don’t you think so?” Rose Muniment addressed this inquiry to Hyacinth,
while Lady Aurora gazed at her shyly and mutely, as if she admired her
manner, her self-possession and flow of conversation. Her brother
lighted one of the visitor’s candles, and the girl went on, without
waiting for Hyacinth’s response: “Isn’t it right that she should be
called the dawn, when she brings light where she goes? The Puppins are
the charming foreigners I have told you about,” she explained to her
friend.
“Oh, it’s so pleasant knowing a few foreigners!” Lady Aurora exclaimed,
with a spasm of expression. “They are often so very fresh.”
“Mr Robinson’s a sort of foreigner, and he’s very fresh,” said Paul
Muniment. “He meets Mr Puppin quite on his own ground. If I had his
command of the lingo it would give me a lift.”
Public-domain text, read in full here on John Shaqi.
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