massive and muscular; and after she had taken her timorous friends in tow the dressmaker was able to comfort herself with the reflexion that even so masterful a woman couldn’t inflict anything gratuitously disagreeable on a person who had made her visit in Lomax Place pass off so pleasantly. It was on the outskirts of the infirmary she had been hovering, and it was into certain dismal chambers dedicated to sick criminals she presently ushered her guests. These chambers were naked and grated, like all the rest of the place, and caused Miss Pynsent to say to herself that it must be a blessing to be ill in such a hole, because you couldn’t possibly pick up again, whereby your case was simple. Such simplification, nevertheless, had for the moment been offered to very few of Florentine’s fellow-sufferers, for only three of the small stiff beds were occupied—occupied by white-faced women in tight, sordid caps, on whom, in the stale ugly room, the sallow light itself seemed to rest without pity. Mrs. Bowerbank discreetly paid no attention whatever to Hyacinth; she only said to Miss Pynsent with her hoarse distinctness: “You’ll find her very low; she wouldn’t have waited another day.” And she guided them, through a still further door, to the smallest room of all, where there were but three beds placed in a row. Miss Pynsent’s frightened eyes rather faltered than inquired, but she became aware that a woman was lying on the middle bed and that her face was turned toward the door. Mrs. Bowerbank led the way straight up to her and, giving a businesslike pat to her pillow, signed invitation and encouragement to the visitors, who clung together not far within the threshold. Their conductress reminded them that very few minutes were allowed them and that they had better not dawdle them away; whereupon, as the boy still hung back, the little dressmaker advanced alone, looking at the sick woman with what courage she could muster. It seemed to her she was approaching a perfect stranger, so completely had nine years of prison transformed Florentine. She felt it immediately to have been a mercy she hadn’t told Hyacinth she was pretty (as she used to be) since there was no beauty left in the hollow bloodless mask that presented itself without a movement. She _had_ told him the poor woman was good, but she didn’t look so, nor evidently was he struck with it as he returned her gaze across the interval he declined to traverse, though kept at the same time from retreating by this appeal of her strange, fixed eyes, the only part of all her wasted person in which was still any appearance of life. She looked unnatural to Amanda Pynsent, and terribly old; a speechless, motionless creature, dazed and stupid, whereas Florentine Vivier, in the obliterated past, had been her idea of personal as distinguished from social brilliancy. Above all she seemed disfigured and ugly, cruelly misrepresented by her coarse cap and short rough hair. Amanda, as she stood beside her, thought