In that summer of 1901, while the architects and contractors were busy
at their plans and specifications, there was wholesale and systematic
devastation upon such a scale as New York has rarely ever seen. Such
pullings down and tearings away! The scene was not without its drama at
any time. The writer well remembers strolling into the Koster & Bial
Music Hall on an evening during that season of destruction. There was no
one to bar his passage into what, at the time of its opening, but eight
short years before, had been New York's most elaborate playhouse. If his
glance had not been turned downward there was nothing to indicate that
the evening performance might not easily begin within the hour. Upwards
the great auditorium of red and gold was immaculate. The proscenium, the
tier upon tier of balcony and of gallery, the dozens of upholstered
boxes, the exquisitely decorated ceiling had not been touched.
But if the eye glanced downward--what a difference! The main floor and
its row upon row of heavy plush chairs was entirely gone. In their place
was a mucky black sea of mud; a knee-high morass, if you please, in
which a dozen contractor's wagons, hauled and tugged unevenly by squads
of lunging mules and horses in their traces, circled in and circled
out--inbound empty and outbound laden deep with their muddy burden. On
the stage, back of what had once been the footlights and in the same
place where the darling Carmencita had once been wont to make her bow,
stood a shirt-sleeved gang-boss. On either side of him,
spotlights--things theatrical yanked from the memories of
yesteryear--threw their radiance down into the auditorium and the motley
audience it held.
So went Koster & Bial's, the pet plaything of joyous New York in its
Golden Age. In a short time the scaffolding was to rise in that mighty
amphitheater and the decorations to come tumbling down. Gang upon gang
to the roof; more gangs still to the stout sidewalls, brick by brick;
down they came until Koster & Bial's was no more. Its site was marked by
a huge and gaping hole in the subsoil of Manhattan.
Public-domain text, read in full here on John Shaqi.
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