A great many toasts have been proposed; much conversation has
passed, extravagantly simple, or extravagantly cynical—much wit
has flashed—spahis’ wit, smacking strongly of its origin, a medley
of disillusionment and innocence. Many remarkable songs have been
sung—appallingly suggestive, originating no one knows where, in Algiers,
India, or some other spot—the solos comically discreet—the choruses
terrible, and accompanied by the crashing of glasses and the thumping
of fists enough to break down the tables. Old jokes have been made,
ingenuous and well-worn, exciting bursts of youthful, joyous laughter,
and words uttered capable of bringing a blush to the cheek of the devil
himself.
Suddenly a spahi in the midst of this crazy uproar lifts his glass of
champagne, and proposes this startling toast,
“To those who fell at Mecké and Bobdiarah.”
A very strange toast this—not originating in the brain of the author of
this story! Quite unforeseen this health that has been proposed! Is it a
tribute to the memory of the dead, or a sacrilegious jest. He was very
drunk the spahi who proposed this funereal toast, and there was gloom in
his irresolute eyes.
* * * * *
Alas! in a few years’ time who will remember those who fell in the defeat
at Bobdiarah and at Mecké, those whose bones lie blanched already on the
sand of the desert?
The people of St Louis who saw them march away may remember their names.
But in a few years’ time, who will be able to call them to mind and to
say them again?
* * * * *
So the glasses were drained to the memory of those who fell at Mecké and
Bobdiarah. But this strange toast was followed by a moment of intense
silence and astonishment, and it cast a gloomy veil upon the spahis’
banquet.
Jean, especially—whose eyes had been sparkling with animation at the
infectious gaiety of his comrades, and who, as it happened, had been
laughing heartily all this evening, Jean relapsed again into his dreamy,
serious mood, hardly knowing why.
“Fallen there in the desert!” ...
Without grasping the full meaning of it, the idea of it chilled him, like
the sound of a jackal’s voice; it made his flesh creep....
He was still very much of a child, poor Jean, not yet inured to war,
not yet a seasoned soldier. Nevertheless he was very brave; he was not
afraid, not in the least afraid, of fighting. When there was talk of
Boubakar-Ségou, who was prowling with his army through Cayor, almost up
to the gates of St Louis, he felt his heart leap. Sometimes he dreamt
about it. It seemed to him that it would do him good, that it would rouse
him to see shots fired at last, even it they were directed only against a
negro chief. There were times when he was dying of impatience....
It was solely with the idea of fighting that he had become a spahi—not
in order that he might pass a languid, monotonous existence in a little
white house, held spell-bound by a Khassonké girl....
Public-domain text, read in full here on John Shaqi.
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