England -- Social life and customs -- 19th century -- Fiction
Look at them both now--Charlotte, with her marked, brilliant features;
her pointed chin, telling of self-will; her somewhat full, red lips; the
pose of the head upon her tall, firm form: her large eyes, made to
dazzle more than to attract; her perfectly self-possessed, not to say
free manners!--All told of power; but not of innate refinement. Maria
had too much of this refinement--if such a thing may be said of a young
and gentle lady. She was finely and sensitively organized; considerate
and gentle. It would be impossible for Maria Hastings to hurt wilfully
the feelings of a fellow-creature. To the poorest beggar in the street
she would have been courteous, considerate, almost humble. Not so much
as a word of scorn could she cast to another, even in her inmost heart.
The very formation of her hands would betray how sensitive and refined
was her nature. And that is another thing which bears its own
character--the hand; if you know how to read it. Her hands were of
exceeding beauty; long, slender, taper fingers, of delicate aspect from
a physical point of view. Every motion of those hands--and they were
ever restless--was a word; every unconscious, nervous movement of the
frail, weak-looking fingers had its peculiar characteristic. Maria
Hastings had been accused of being vain of her hands; of displaying them
more than was necessary: but the accusation, utterly untrue, was made by
those who understood her but little, and her hands less. Such hands are
rare: and it is as well that they are so: for they indicate a nature far
removed from the common; a timid, intellectual, and painfully sensitive
nature, which the rude world can neither understand, nor, perhaps, love.
The gold, too much refined, is not fitted for ordinary uses. Charlotte
Pain's hands were widely different: firm, plump, white; not small, and
never moving unconsciously of themselves.
These pretty hands resting upon her knee, sat Maria Hastings, doing
nothing. Maria--I grieve to have it to say of her in this very
utilitarian age--was rather addicted to doing nothing. In her home, the
Rectory, Maria was reproved on that score more than on any other. It is
ever so with those who live much in the inward life. Maria would fall
into a train of thought--and be idle.
Public-domain text, read in full here on John Shaqi.
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