The Shield of LoveFarjeon, B. L. (Benjamin Leopold)
General
The Shield of Love
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
By "him" he meant the tenant of the room, who lay on a narrow bed
asleep. Before disturbing him, Mr. Fox-Cordery devoted attention to
the articles by which he was surrounded. The furniture of this humble
attic was extraordinary of its kind, and had probably been picked up
at odd times, in one auction-room and another. On the floor was an old
Oriental rug, worn quite threadbare; the two chairs were antiques; the
carved legs of the table represented the legs of fabulous animals;
even the fire-irons were old-fashioned. There were several brackets on
the walls, carved by the sleeping man, showing a quaint turn of fancy;
and on each bracket rested an article of taste, here a small Eastern
vase, here a twisted bottle, here the model of a serpent standing
upright on two human legs. A dealer in old curiosities would not have
given more than a sovereign or two for all the furniture and ornaments
in the room, for none of them were of any particular value. But the
collection was a remarkable one to be found in an attic in such a
neighborhood; and, if it denoted nothing else, was an indication that
the proprietor was not of the common order of English workingmen, such
as one would have expected to occupy the apartment; if, indeed, he was
an Englishman at all.
Mr. Fox-Cordery was not a gentleman of artistic taste, and he turned
up his nose and shrugged his shoulders contemptuously at these
belongings. Then he devoted a few moments more to an examination of
the room, opening drawers without hesitation, and running his eyes
over some manuscripts on the table. The written characters of these
manuscripts were exquisite, albeit somewhat needlessly fantastic here
and there: and the manuscripts themselves furnished a clew to the
occupation of the tenant, which was that of a copyist. There were no
paintings or engravings on the walls, which, however, were not
entirely devoid of pictorial embellishment. Four neatly cut pieces
of drawing-paper were tacked thereon--north, south, east, and
west--bearing each a couplet beautifully written within an illuminated
scroll. The colors of the scrolls were green and gold, and the verses
were written in shining Indian ink.
On the tablet on the north wall the lines ran:
He whose soul by love is quickened, never can to death be hurled;
Written is my life immortal in the records of the world.
On the south wall:
Oh, heart! thy springtime has gone by, and at life's flowers has
failed thy aim.
Gray-headed man, seek virtue now; gain honor and a spotless name.
On the west wall:
Now on the rose's palm the cup with limpid wine is brimming,
And with a hundred thousand tongues the bird her praise is hymning.
On the east wall:
If all upon the earth arise to injure myself or my friend,
The Lord, who redresses wrong, shall avenge us all in the end.
Public-domain text, read in full here on John Shaqi.
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