Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
He himself remained undisturbed by the frenzy. His own fortune, thanks
to the wise provision of a hard-headed father, was safely invested in
solid properties, and the world of speculation had not entered his ken.
He returned to his newspapers, read everything bearing on the personal
fate of John G. Slade, which interested him extraordinarily since his
encounter with that abrupt and forceful personality, and, rising, asked
himself how he could kill the time until the hour of his luncheon with
Rita Kildair.
The irritation he had felt at the end of his ride with Nan Charters had
disappeared. Studying the evening calmly, he analyzed her words with a
clearer perception. He comprehended that, beyond all the cleverness of
her attitude, she had been veritably piqued by his indifference and his
absorption by Emma Fornez, who treated her as a little actress.
Considering the encounter thus, he smiled occasionally, congratulating
himself that the conversation had ended so abruptly—when a continuance
would have led him perhaps to say some of those sudden, illogical
remarks which are irresistibly drawn from a man by the provoking contact
of certain feminine personalities.
"She may say what she wants," he said, selecting a cigarette. "She was
caught by her own tricks." He took several steps, and grinned to
himself. "It’s an amusing game, and a game that will be amusing to
play."
Despite this feeling of confidence and elation, he had an irresistible
desire to telephone her, to indulge himself in the pleasure of hearing
her voice again. He had resisted the impulse several times, convincing
himself of the tactical error; and yet, the more he argued against it,
the more the desire haunted him.
Ordinarily he spent an agreeable half-hour after breakfast, calling up
on the telephone those of the opposite sex with whom he was in the
relation of a good comrade. He enjoyed these morning snatches of
intimacy, with an enjoyment untouched with any seriousness. This
morning, as he took the telephone in hand, he thought first of Emma
Fornez, but as he had neglected to make his adieu to her on leaving with
Nan Charters, he considered a moment while he formulated an acceptable
apology.
The prima donna answered him from the languid idleness of her bed, where
she was resting in a state of complete exhaustion.
"I am ab-so-lutely _fini_," she said in an anguished tone. "It is
fright-ful. I shall never be able to sing—never!" Then she remembered.
"I am very angry with you—yes, yes,—very angry."
Beecher explained, with crocodile tears, how he had been forced to come
to the aid of a distressed and helpless female.
"Ta-ta-ta! Stuff and nonsense! You could have boxed her up in a
carriage and sent her home—yes, yes, you could. But you are in love—you
are weak—you wanted an excuse—she made a fool of you—she twisted you
around her finger!"
Beecher denied the charge with indignation.
"If you wanted to, you could have come back to me—yes, you could."
Public-domain text, read in full here on John Shaqi.
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