The songs of Bilitis : $b Translated from the Greek : A new rendering in English with notes and commentLouÿs, Pierre
General
The songs of Bilitis : $b Translated from the Greek : A new rendering in English with notes and comment
Louÿs, Pierre
French poetry -- Translations into English; Lesbians -- Poetry
* * * * *
LXXI “My throat becomes dry.”
See Sappho, Frag. 2. (Wharton): “ ... For when I see thee but a little,
I have no utterance left, my tongue is broken down, and straightway a
subtle fire has run under my skin. With my eyes I have no sight, my ears
ring, sweat pours down, and a trembling seizes all my body; I am paler
than grass, and seem in my madness little better than one dead....”
* * * * *
LXXV “The object.”
See the sixth mime of Herondas (too long to reproduce here) translated
in Symonds’ “Studies of the Greek Poets” (Third edition. 1893. II-237).
This mime describes a visit between two women in reference to the same
sort of object sought by Bilitis’ friend. One of Herondas’ ladies
remarks, about her leather worker, “He works at his own house and sells
on the sly ... but the things he makes, they’re like Athene’s handiwork
... a cobbler more kindly disposed toward the female sex you would not
find....” The price was “fourpence.”
* * * * *
LXXXI “Thy hair is moist.”
See Meleager (Anth. Pal. V-175): “Truly, thou betrayest thyself; thy
locks, still moist with perfumes, denounce thy dissolute life; thine
eyes, heavy with fatigue, show well how thy night has been passed; this
coronal upon thy forehead reveals the festival; this disordered hair
shows the path of amorous hands; and all thy body staggers under the
vapors of the wine....”
* * * * *
LXXXIII “For whom, now, shall I paint my lips?”
See Paulus Silentiarius (Anth. Pal. V-228): “For whom shall I curl my
hair? for whom trim my nails? for whom perfume my hands? To what end
this purple-banded cloak, since I go not to beautiful Rhodopis?...”
EPIGRAMS IN THE ISLAND OF CYPROS
XCIV “Thyrses.”
These were long rods, often surmounted by a pine cone, carried by
votaries of Dionysos. Too long to be used as drum-sticks.
* * * * *
CI “Conversation.”
See Philodemos (Anth. Pal. V-46): “I salute thee.--I salute thee
also.--What is thy name?--And thine? Thou mayest know mine later.--Thou
art in a hurry?--And thou art not?--Hast thou someone?--I have always my
lover.--Wilt thou eat dinner with me to-day?--If thou wishest.--Good.
What shall I give thee?--Give me nothing in advance.--That is
strange.--But when the night is over, give what thou wishest.--Thou art
a just girl. Where is thy dwelling? I will send for thee.--I will show
thee.--And when wilt thou come?--At once, if thou wishest--At once,
then.--Lead the way.”
* * * * *
CIII “A girdle of silver plates.”
See Asclepiades (Anth. Pal. V-158): “Upon a day, I played with facile
Hermione. Like the Goddess, she wore a girdle broidered with flowers;
and on it I read, in letters of gold: Love me, but grieve not if I give
myself to another.”
* * * * *
CIX “Athena.”
Public-domain text, read in full here on John Shaqi.
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