The Soul of the Soldier: Sketches from the Western Battle-FrontTiplady, Thomas
History
The Soul of the Soldier: Sketches from the Western Battle-Front
Tiplady, Thomas
World War, 1914-1918 -- Personal narratives, English
But the worst calamity of the day was yet to befall. Some fifteen or
sixteen ammunition wagons, unable to get through the village, had halted
in the Square--"Wipers Square" it had been named. Each wagon was loaded
with nine-point-two shells. An enemy-shot fell on a wagon and set it on
fire; then the village became like unto Sodom and Gomorrah on their day
of doom. One or two drivers bravely stuck to their wagons, and got them
out but the rest of the wagons were lost. The scene that followed was
indescribable. Doré could never have pictured such horrors. The wagons
all caught fire and their loads of shells began to explode. We stood
out in the fields and watched the conflagration, while all the time the
Germans continued to shell the village. The large village-hall and the
houses on each side of the square were utterly destroyed. Great
explosions sent fragments of wagons and houses sky-high, and showers of
missiles fell even where we stood. The fore part of one wagon was blown
on to the roof of a house. Houses caught fire and blazed all afternoon.
Some machine-gunners joined us and told how, when choking smoke began to
penetrate into their cellar they had to rush through the square and its
bursting shells to preserve their lives. A German shell burst in a
billet where a platoon of our men were sheltering in the cellar, and
those who were not killed by the shell were crushed to death by the fall
of the house. Another shell hit the roof of the house in the cellar of
which was our Advanced Dressing Station for the morrow’s battle. Two
orderlies who happened to be in the street were killed, and the colonel
was knocked down. In the cellars of almost every house were soldiers or
civilians, and all day the ammunition wagons continued burning; shell
after shell getting red hot and exploding.
Public-domain text, read in full here on John Shaqi.
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