The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
2.--Count Ferdinand of Portugal orders the Magistrates
to fortify the town in 1214.
3.--Countess Jeanne of Constantinople setting prisoners
free on Good Friday, 1206.
4.--5.--The Magistrates give the Countess Margaret the
ransom of her son William, who was made prisoner
during the 7th Crusade.
6.--Building the West wing of the Guild Hall in the time
of Guy of Dampierre, 1285.
7.--8.--Return of the armed forces of Ypres in 1302
after the Battle of the Spurs.
9.--The Plague, known as la Morte d'Ypres, in 1347.
10.--11.--Banquet offered in this very hall to Mahaut,
Countess of Flanders, and Matthew, Duke of Lorraine
on their marriage in 1314.
12.--An episode of the siege of Ypres by the English
and the men of Ghent in 1383.
As will be noted, the pictures are not arranged in exact chronological
order, but, taken together, they form a wonderful pictorial summary
of the city's history--down to the Fall of 1914, which merits a
separate gallery by itself. To us the most impressive of the series
was the vast picture in two sections showing the triumphant return
from the Battle of Courtrai and the tragic representation of the Black
Death, which swept through all the densely populated Flemish towns;
but was more destructive at Ypres than elsewhere. The visitation here
represented was by no means the only one in the city's history, and
for centuries _la morte d'Ypres_ was a name of terror throughout the
countryside.
In the section of the Great Hall beyond the belfry the mural paintings
are the work of Louis Delbeke, a painter of Ypres. His pictures were
the subject of violent criticism when they were first exhibited, and
are entirely unlike those in the other portion of the chamber. The
artist endeavoured to give his work an archaic appearance, in keeping
with the antiquity of its surroundings, and it was his intention to
symbolise the various manifestations of the public life of the
city--Civic Freedom, Commerce, Industry, Charities, Literature and so
on. The work was interrupted by his death and has never been
completed.
Public-domain text, read in full here on John Shaqi.
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