A little one-act play, sufficiently dramatic, is revived from time to time among the Latin races for long runs. The play is of simplified, classic construction. But the principal part is variously interpreted by different actors. The minor characters, a priest and an officer, have no great latitude for individuality, while the work of the chorus comes as near mathematics as anything human can. The play is a passion play. No actor has ever played the principal part more than once. And the play differs from other plays in this, also, that there are not even traditional lines for the principal character to speak. He may say whatever comes into his head. He may say nothing. He may play his part with reticence or melodramatically. It does not matter. His is what actors call a fat part; it cannot be spoiled. And at the climax and curtain he may sink slowly to the ground or fall upon his back or upon his face. It does not matter. Once, before falling, a man leaped so violently upward and forward as to break the ropes with which his legs and arms were bound. Those who saw this performance cannot speak of it to this day without a shudder. Under the management of General Weyler in Cuba this little play enjoyed, perhaps, its longest continuous run. Curiously enough, there were absolutely no profits to be divided at the end. But, then, think of the expense of production! Why, to enable the General to stage that play for so many nights--I mean sunrises--required the employment of several hundred thousand men and actually bankrupted a nation. In this world one must pay like the devil for one's fancies. Think what Weyler paid: all the money that his country could beg or borrow; then his own reputation as a soldier, as a statesman, and as a man; ending with a series of monstrous mortgages on his own soul. For which, when it is finally sold at auction, there will not be bid so much as one breath of garlic.