The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated MonthlyVarious
History
The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
the earth--the silence, the cold, the damp earthy smell that filled
one's nostrils, all seemed to indicate decaying mortality. Suddenly,
with startling abruptness, a single voice broke into a plaintive,
monotonous chant. Then others took up the cadence with a moaning wail
that gradually died away until there was unbroken silence again. There
was something strange and weird in this performance, for the
impenetrable darkness, the star-like lamp, the wailing voices of unseen
figures, seemed altogether unnatural. It begot in me a shudder that I
could not repress, for the moaning and wailing appeared to be associated
with death rather than life. There was nothing in the whole ceremony
indicative of joy or hope, but rather their converse--sadness and
despair. Throughout those weary hours the wailing chant and the silence
alternated. I wanted to go away, but could not. Some strange fascination
kept me there, and I recalled some of the wonderful descriptive scenes
in Dantè which were irresistibly suggested. My imagination was wrought
on to such an extent that I pictured that vast gloomy space as filled
with unquiet spirits condemned to torture; and the lamp as typical of
the one ray of hope that told them that after a long period of penance
they should pass from the gloom of woe to the lightness and joy of
eternal day, when their anguish should cease for ever and rest be found.
At last, to my great relief, I saw the beams of a new morn steal in at
the chapel windows. The bowed forms of the cowled monks were faintly
discernible, kneeling before the altar, where still burned the
watch-lamp. One by one they rose and flitted away like shadows; no sound
came from their footfalls, no rustle from their garments. Warmly clad
though I was, I shivered with the cold, and was cramped with the
position I had maintained for hours; for I had been fearful of moving
lest any harsh, grating noise should break in upon that solemn and
impressive silence. When all had gone I too went, and made my way back
to the cell, where I tried to snatch a few hours' sleep, but it was all
in vain, for my mind seemed as if it had been upset by a strange and
terrible dream. Although I have had a wide and varied experience of men
and manners in all parts of the world, I never witnessed such a strange
scene before as I witnessed that night. It was like a nightmare picture,
a poem evolved from a distorted imagination. I say a poem because it had
the elements of poetry in it, but it was the poetry of ineffable human
sadness.
[Illustration: IN THE CHAPEL: DAYBREAK.]
Public-domain text, read in full here on John Shaqi.
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