The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric TimesWilson, Thomas
Religion
The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric Times
Wilson, Thomas
Industries, Primitive; Swastikas; Symbolism
It is evident to me that the sign found at Hissarlik is identical with
that found at Mycenæ and Athens, as well as on the prehistoric pottery
of Cyprus (Di Cesnola, Cyprus, pls. 44 and 47), since the general
artistic character of the objects with which this sign is associated
in Cyprus and Greece agrees with that of the objects discovered in
Troy. The Cyprian vase [fig. 156, this paper] figured in Di Cesnola's
"Cyprus," pl. 45, which associates the Swastika with the figure of an
animal, is a striking analogue of the Trojan whorls, on which it is
associated with the figure of the stags. The fact that it is drawn
within the vulva of the leaden image on the Asiatic goddess shown in
fig. 226 ("Ilios," fig. 125 this paper) seems to show that it was a
symbol of generation.
Count Goblet d'Alviella,[96] citing Albert Dumont[97] and Perrot and
Chipiez,[98] says:
The Swastika appears in Greece, as well as in Cyprus and Rhodes, first
on the pottery, with geometric decorations, which form the second
period in Greek ceramics. From that it passes to a later period, where
the decoration is more artistic and the appearance of which coincides
with the development of the Phoenician influences on the coasts of
Greece.
Dr. Ohnefalsch-Richter, in a paper devoted to the consideration of the
Swastika in Cyprus,[99] expresses the opinion that the emigrant or
commercial Phenicians traveling in far eastern countries brought the
Swastika by the sea route of the Persian Gulf to Asia Minor and Cyprus,
while, possibly, other people, brought it by the overland route from
central Asia, Asia Minor, and Hissarlik, and afterwards by migration to
Cyprus, Carthage, and the north of Africa.
Professor Goodyear says:[100]
The true home of the Swastika is the Greek geometric style, as will be
immediately obvious to every expert who examines the question through
the study of that style. In seeking the home of a symbol, we should
consider where it appears in the largest dimension and where it
appears in the most formal and prominent way. The Greek geometric
vases are the only monuments on which the Swastika systematically
appears in panels exclusively assigned to it (pl. 60, fig. 13; and pl.
56, fig. 4). There are no other monuments on which the Swastika can be
found in a dimension taking up one-half the height of the entire
object (pl. 56, fig. 4). The ordinary size of the Swastika, in very
primitive times, is under a third of an inch in diameter. They are
found in Greek geometric pottery 2 or 3 inches in diameter, but they
also appear in the informal scattering way (pl. 61, fig. 4) which
characterizes the Swastika in other styles.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account