The Sword of Honor; or, The Foundation of the French Republic: A Tale of The French Revolution — John Shaqi
The Sword of Honor; or, The Foundation of the French Republic: A Tale of The French RevolutionSue, Eugène
History
The Sword of Honor; or, The Foundation of the French Republic: A Tale of The French Revolution
Sue, Eugène
France -- History -- Revolution, 1789-1799 -- Fiction
"Anger! Allow me to inform you that just now this vile populace, which
to-night overflows in all the streets, had the impudence to stop my
carriage on the Louis XV Bridge. By God's death, I shall punish these
people!"
"What did you say to the insolent creatures?"
"I was treating this fraction of the 'sovereign people' like the abject
rabble that they are, when my lackey, trembling like a hare, and hoping
to secure our release, conceived the infernal idea of calling out to the
beggars 'Make way, there, if you please, for the carriage of Monsieur
Mirabeau!' Immediately the tempest turned to a zephyr, and the stupid
people made way for me, to cries of 'Long live Mirabeau!'"
"They must have taken you for your brother!"
"Death and fury! It is but too true! I shall never forgive my brother
that insult!"
"Calm yourself, Viscount; but yet a few days and that filthy populace
will be clouted back into the mire where it belongs."
"Her Excellency, Marchioness Aldini," loudly announced one of
Plouernel's valets at that moment, swinging back both sides of the great
door of the parlor, into which he introduced--Victoria Lebrenn under her
borrowed name and title.
The friends of Monsieur Plouernel thus beheld Marchioness Aldini for the
first time. All were struck with astonishment at her beauty, heightened
as it was by the splendor of her toilet. For Victoria now wore a
trailing robe of poppy-colored cloth of Tours, trimmed with black lace.
The cut of her corsage left bare her arms, shoulders and the rise of her
breast, which seemed sculptured in the purest marble. Her black hair was
not buried, as was the custom of the time, under a layer of white
powder, but, glowing with the luster of ebony, and rolled in thick and
numerous ringlets around her head, majestically crowned her brow. A
triple string of Venetian sequins served both as diadem and collar.
Nothing can give an adequate idea of the effect of this original mode,
at once elegant and severe, which was still more remarkable in that it
differed completely from the pomponned attires of the period, and
harmonized marvellously with Victoria's own cast of beauty.
Plouernel's friends, seized with admiration, were for a moment
speechless. Every look was fastened on the foreign dame;--even Abbot
Morlet experienced the fascination, and said to himself as he gazed at
her:
"I can understand how the Count is mad over her. The danger is greater
than I suspected. She is a very siren."
Of all Plouernel's assembled friends, the Abbot was the only one to
penetrate the true nature of Victoria's beauty. Her pallor, her flashing
black eyes, her bitter and sardonic smile, gave to her face an
indefinable somberness, which was in accord with the severity of her
costume of red, black and gold.
Public-domain text, read in full here on John Shaqi.
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