The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
Fundamentum ipsius Camerae est Fides.
Altitudo ejus est Spes.
Latitudo ejus est Caritas.
Longitudo ejus est Perseverantia.
Latera ejus sunt Concordia et Pax.
{lxxvii}
Frontes ipsius sunt Justicia & Veritas.
Pulchritudo ejus est exemplum bonorum operum.
Fenestrae ejus sunt dicta sanctorum.
Pavimentum ejus est humilitas cordis.
Camera est conversatio coelestis.
Pilastri ejus sunt spiritales virtues.
Columnae ejus sunt boni pontifices & sacerdotes.
Interlegatio ejus est vinculum pacis.
Tectum ejus est fidelis dispensator.
* isces ejus sunt mediatio celestis.
Mensa Christi est in camera bona conversatio.
Ministerium Christi in camera sua est bona memoria.
Facinus Christi est bona voluntas.
Canterellus Christi est nitor conscientiae.
Cathedra Christi est serenitas mentis.
Sponsa Christi est sancta anima.
Camerariae Christi spiritales virtutes sunt:
Prima Sancta Caritas dicta est; illa Christi regit cameram.
Secunda est Sancta Humilitas; illa est thesauraria in camera Christi
Tertia est Sancta Patientia; illa facit luminaria in camera Christi.
Quarta Sancta Puritas; illa scopat cameram Christi.
But besides, and in our opinion stronger than this express and
continuous testimony to the fact that Catholic architecture is
symbolical, we have the testimony of all other branches of Catholic
art, which none ever did, or could deny to be figurative and
sacramental. Let us take merely the rites which accompany the close of
Easter week. We enter a darkened church, illuminated only by the
lighted 'Sepulchre': we hear the history of the Passion chaunted by
three voices in three recitatives: we have the most mournfully
pathetic strain for the 'Reproaches' which perhaps the human mind ever
imagined:--we pray for Pagans--and we kneel; we pray for Turks--and we
kneel; we pray for the Jews, and we kneel not; in abhorrence of the
mockery that bowed the knee to the King of the Jews. We enter that
church again, now perfectly darkened, except for the one lamp that
renders the lectern and the books {lxxviii} thereon just visible: the
solemn litanies seem in that obscurity, and amidst the silent crowd of
worshippers, more solemn than usual. There is a short pause: then in
one second, priests and people, voices and instruments, burst forth
with the Easter Alleluia: light pours in from every window of the
cathedral: showers of rose leaves fall from the roof: bells--silent
for three long days, peal from every church tower: guns fire and
banners wave: _Dominus resurrexit vere, Alleluia, et apparuit Sinioni
Alleluia_.
Public-domain text, read in full here on John Shaqi.
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