The Templeton caseWhitechurch, Victor L. (Victor Lorenzo)
General
The Templeton case
Whitechurch, Victor L. (Victor Lorenzo)
Detective and mystery stories; Murder -- Investigation -- Fiction; Police -- England -- Fiction
Meanwhile Colson had rushed over to Marsh Quay. It was not yet six
o’clock, so the inn was not open. He knocked at the door and Mrs.
Yates let him in. Satisfying himself that there was no one else about,
he said to her:
“As I told you before, Mrs. Yates, I look upon you as an exceedingly
discreet woman. Now, I want you to keep your mouth shut about what I’m
going to ask you.”
“I will, Mr. Colson.”
“You’ve got a good memory, eh?”
“I hope so, sir.”
“Well, try and remember now. This young man who was lodging with you,
what did his luggage consist of?”
“It was placed in a holdall he carried on the back of his bicycle.
There was a satchel in front, and one of them folding things what they
put their pictures on when they paints them.”
“An easel?”
“That’s it, sir.”
“Anything else—an umbrella?”
“No, sir.”
“Or a walking-stick?”
“No, sir.”
“Are you quite sure? I want you to be very careful.”
“I’m quite sure, Mr. Colson, and I’ll tell you for why. First of
all, I helped him undo his luggage when he arrived, and secondly,
he borrowed this here stick—what used to belong to my late
husband—several times when he went out walkin’. I can swear to that.”
The detective glanced at a brown polished walking-stick with a knob at
the end.
“All right,” he said. “That’s all I want to know. And I’ll give you a
bit of information in return. It’s pretty certain _he_ isn’t the man
we want.”
“I’m glad to hear that, Mr. Colson. I liked the young feller.”
The detective had turned to go, but paused a minute.
“It would be better for him still, Mrs. Yates, if you could prove that
he was really in your house all night.”
“Well, sir—I’m sure he was here till past one in the morning.”
“Why?”
“He went to bed just before ten, sir. I had a toothache that night
which kept me awake till just after one. And the way that young man
snored was enough to keep anyone awake—let alone the toothache.”
The detective laughed.
“That’s all right, then.”
“We’ve eliminated one of the three,” he said to himself as he rode
back. “And that’s not a bad bit o’ work, anyhow.”
When he arrived at the police station the Canon was still there. The
detective whispered a few words to the superintendent and Major
Renshaw, and the latter said:
“You’ll be glad to know, Canon, that we needn’t detain this young man
any longer. Would you like to see him before you go?”
“I should, very much.”
When Grayson came in, Major Renshaw shook hands with him.
“We’re quite satisfied about you, Mr. Grayson, and I must apologise
for detaining you. But a stranger who goes off suddenly and
mysteriously from the scene of a murder must expect to rouse
suspicions—and you certainly did. Let me introduce you to my friend,
Canon Fittleworth. You really owe your freedom this evening to
him—though he won’t tell you why, because he mustn’t.”
“I’m sure I’m most grateful to you, sir,” said the young artist to the
Canon.
Public-domain text, read in full here on John Shaqi.
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