France -- Social life and customs -- 19th century -- Fiction
Fearing to be overheard by Ferragus, Jules asked himself whether it were
not wisest to conclude the arrangement he had come to make with the old
woman in the crowded antechamber. A hen, which descended cackling from
a loft, roused him from this inward meditation. He came to a resolution,
and followed Ida’s mother into the inner room, whither they were
accompanied by the wheezy pug, a personage otherwise mute, who jumped
upon a stool. Madame Gruget showed the assumption of semi-pauperism
when she invited her visitor to warm himself. Her fire-pot contained, or
rather concealed two bits of sticks, which lay apart: the grating was
on the ground, its handle in the ashes. The mantel-shelf, adorned with
a little wax Jesus under a shade of squares of glass held together with
blue paper, was piled with wools, bobbins, and tools used in the making
of gimps and trimmings. Jules examined everything in the room with a
curiosity that was full of interest, and showed, in spite of himself, an
inward satisfaction.
“Well, monsieur, tell me, do you want to buy any of my things?” said the
old woman, seating herself in a cane arm-chair, which appeared to be
her headquarters. In it she kept her handkerchief, snuffbox, knitting,
half-peeled vegetables, spectacles, calendar, a bit of livery gold lace
just begun, a greasy pack of cards, and two volumes of novels, all stuck
into the hollow of the back. This article of furniture, in which the
old creature was floating down the river of life, was not unlike the
encyclopedic bag which a woman carries with her when she travels; in
which may be found a compendium of her household belongings, from the
portrait of her husband to _eau de Melisse_ for faintness, sugarplums
for the children, and English court-plaster in case of cuts.
Jules studied all. He looked attentively at Madame Gruget’s yellow
visage, at her gray eyes without either brows or lashes, her toothless
mouth, her wrinkles marked in black, her rusty cap, her still more rusty
ruffles, her cotton petticoat full of holes, her worn-out slippers, her
disabled fire-pot, her table heaped with dishes and silks and work begun
or finished, in wool or cotton, in the midst of which stood a bottle of
wine. Then he said to himself: “This old woman has some passion, some
strong liking or vice; I can make her do my will.”
“Madame,” he said aloud, with a private sign of intelligence, “I have
come to order some livery trimmings.” Then he lowered his voice. “I
know,” he continued, “that you have a lodger who has taken the name of
Camuset.” The old woman looked at him suddenly, but without any sign of
astonishment. “Now, tell me, can we come to an understanding? This is a
question which means fortune for you.”
“Monsieur,” she replied, “speak out, and don’t be afraid. There’s no one
here. But if I had any one above, it would be impossible for him to hear
you.”
Public-domain text, read in full here on John Shaqi.
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