The Three Cities Trilogy: Lourdes, Volume 1Zola, Émile
Religion
The Three Cities Trilogy: Lourdes, Volume 1
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Pierre remembered having often noticed in the newspapers the name of
Madame Jousseur, wife of a diplomatist, and a conspicuous member of the
higher spheres of Catholic society in Paris. People had even circulated
a story of some great passion which she had fought against and
vanquished. She also was very prettily dressed, with marvellously
tasteful simplicity, and she ministered to the wants of her sorry
sister with an air of perfect devotion. As for the unhappy woman’s
husband, who at the age of five-and-thirty had inherited his father’s
colossal business, he was a clear-complexioned, well-groomed, handsome
man, clad in a closely buttoned frock-coat. His eyes, however, were
full of tears, for he adored his wife, and had left his business in
order to take her to Lourdes, placing his last hope in this appeal to
the mercy of Heaven.
Ever since the morning, Pierre had beheld many frightful sufferings in
that woeful white train. But none had so distressed his soul as did
that wretched female skeleton, slowly liquefying in the midst of its
lace and its millions. “The unhappy woman!” he murmured with a shudder.
The Abbe Judaine, however, made a gesture of serene hope. “The Blessed
Virgin will cure her,” said he; “I have prayed to her so much.”
Just then a bell again pealed, and this time it was really the signal
for starting. Only two minutes remained. There was a last rush, and
folks hurried back towards the train carrying eatables wrapped in
paper, and bottles and cans which they had filled with water. Several
of them quite lost their heads, and in their inability to find their
carriages, ran distractedly from one to the other end of the train;
whilst some of the infirm ones dragged themselves about amidst the
precipitate tapping of crutches, and others, only able to walk with
difficulty, strove to hasten their steps whilst leaning on the arms of
some of the lady-hospitallers. It was only with infinite difficulty
that four men managed to replace Madame Dieulafay in her first-class
compartment. The Vignerons, who were content with second-class
accommodation, had already reinstalled themselves in their quarters
amidst an extraordinary heap of baskets, boxes, and valises which
scarcely allowed little Gustave enough room to stretch his poor puny
limbs—the limbs as it were of a deformed insect. And then all the women
appeared again: Madame Maze gliding along in silence; Madame Vincent
raising her dear little girl in her outstretched arms and dreading lest
she should hear her cry out; Madame Vetu, whom it had been necessary to
push into the train, after rousing her from her stupefying torment; and
Elise Rouquet, who was quite drenched through her obstinacy in
endeavouring to drink from the tap, and was still wiping her monstrous
face. Whilst each returned to her place and the carriage filled once
more, Marie listened to her father, who had come back delighted with
his stroll to a pointsman’s little house beyond the station, whence a
Public-domain text, read in full here on John Shaqi.
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