"Alas," he said, "the dear child hardly ever wrote to me and cared
little about her poor daddy. I, on the other hand, am very fond of
her. A daughter's always a daughter, you know. So you can imagine how
I jumped for joy when I read in the papers that she had come into
money. I should at last be able to devote myself to her and to devote
all my strength and all my energy to the great and wonderful task of
defending her interests and her fortune."
He spoke in a honeyed voice and assumed a false and unctuous air which
exasperated me. I questioned him:
"How do you propose to fulfill that task?"
"Why, quite simply," he replied, "by continuing Noël Dorgeroux's
work."
"In other words?"
"By throwing open the doors of the amphitheatre."
"Which means?"
"Which means that I shall show to the public the pictures which your
uncle used to produce."
"Have you ever seen them?"
"No. I speak from your evidence and your interviews."
"Do you know how my uncle used to produce them?"
"I do, since yesterday evening."
"Then you have seen the manuscript of which I was robbed and the
formula stolen by the murderer?"
"Since yesterday evening, I say."
"But how?" I exclaimed, excitedly.
"How? By a simple trick."
"What do you mean?"
He showed me a bundle of newspapers of the day before and continued,
with a smirking air:
"If you had read yesterday's newspapers, or at least the more
important of them, carefully, you would have noticed a discreet
advertisement in the special column. It read, 'Proprietor of the Yard
wishes to purchase the two documents necessary for working. He can be
seen this evening in the Place Vendôme.' Nothing much in the
advertisement, was there? But, to the possessors of the two documents,
how clear in its meaning . . . and what a bait! To them it was the one
opportunity of making a profit, for, with all the publicity attaching
to the affair, they were unable to benefit by the result of their
robberies without revealing their identity to the public. My
calculation was correct. After I had waited an hour by the Vendôme
Column, a very luxurious motor-car picked me up, you might almost say
without stopping, and, ten minutes afterwards, dropped me at the
Étoile, with the documents in my possession. I spent the night in
reading the manuscript. Oh, my dear sir, what a genius your uncle was!
What a revolution his discovery! And in what a masterly way he
expounded it! I never read anything so methodical and so lucid! All
that remains for me to do is mere child's-play."
I had listened to the man Massignac with ever-increasing amazement.
Was he assuming that anybody would for a moment credit so ridiculous a
tale?
He was laughing, however, with a look of a man who congratulates
himself on the events with which he is mixed up, or rather, perhaps,
on the very skilful fashion in which he believes himself to have
manipulated them.
Public-domain text, read in full here on John Shaqi.
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