around like phantoms, its effect upon the imagination will be readily conceived to be far greater. Already described as one of the most perfect specimens of Norman ecclesiastical architecture, this venerable structure, once used as a place of private worship by the old monarchs of England, and now as a receptacle for Chancery proceedings, has, from its situation in the heart of the White Tower, preserved, in an almost unequalled state, its original freshness and beauty; and, except that its floors are encumbered with cases, and its walls of Caen stone disfigured by a thick coat of white plaster, it is now much in the same state that it was at the period under consideration. It consists of a nave with broad aisles, flanked (as has been mentioned) by twelve circular pillars, of the simplest and most solid construction, which support a stone gallery of equal width with the aisles, and having an arcade corresponding with that beneath the floor is now boarded, but was formerly covered with a hard polished cement, resembling red granite. The roof is coved, and beautifully proportioned; and the fane is completed by a semicircular termination towards the east. Old Stowe records the following order, given in the reign of Henry the Third, for its decoration:—“And that ye cause the whole chapel of St. John the Evangelist to be whited. And that ye cause three glass windows in the same chapel to be made; to wit, one on the north side, with a certain little Mary holding her child; the other on the south part, with the image of the Trinity; and the third, of St. John the Apostle and Evangelist, in the south part. And that ye cause the cross and the beam beyond the altar of the same chapel to be painted well and with good colours. And that ye cause to be made and painted two fair images where more conveniently and decently they may be done in the same chapel; one of St. Edward, holding a ring, and reaching it out to St. John the Evangelist.” These fair images—the cross—the rood,—and the splendid illuminated window, are gone—most of them, indeed, were gone in Queen Jane’s time—the royal worshippers are gone with them; but enough remains in its noble arcades, its vaulted aisles, and matchless columns, to place St. John’s Chapel foremost in beauty of its class of architecture. Her devotions over, Jane arose with a lighter heart, and, accompanied by her little train, quitted the chapel. On reaching her own apartments, she dismissed her attendants, with renewed injunctions of secrecy; and as Lord Guilford Dudley had not returned from the council, and she felt too much disturbed in mind to think of repose, she took from among the books on her table, a volume of the divine Plato, whose Phædo, in the original tongue, she was wont, in the words of her famous instructor, Roger Ascham, “to read with as much delight as some gentlemen would take in a merry tale of Boccace,” and was speedily lost in his profound and philosophic speculations.