Church of England -- Clergy -- Biography; Jessopp, Augustus, 1823-1914; Rural churches -- England
Now, if a man chooses to be his own tailor, nobody will be much the
worse and nobody will much care; but when a man sets himself to
“restore” a church by the light of nature, it is a much more serious
matter, and it is almost beyond belief what a brisk and bouncing young
fellow, with the best intentions, and an immeasurable fund of ignorance
to fall back upon, can do without any one interfering with him. You
tell him he’ll get into a scrape--that the bishop will be down upon
him--that there are such things as law courts. He smiles the benevolent
smile of superior wisdom, and dashes on with heroic valour. If he calls
himself a Ritualist, he gets rid of the Jacobean pulpit, or the royal
arms, or the ten commandments, and sets up a construction which he
calls a reredos, all tinsel and putty and _papier mâché_; hurls away
the old pews before you know where you are, nails the brasses to the
walls, sets up a lectern, and intones the service, keeping well within
the chancel, from which he firmly banishes all worshippers who are not
males. As for that gallery at the west end where the singers used to
sit for a couple of centuries, and never failed to take their part with
conscious pride in their own performances, that is abomination in his
eyes--that must go of course, “to throw out the belfry arch, you see,
and to bring the ringers into closer connection with the worship of
the sanctuary.” “I love to see the bell ropes,” said one of these dear
well-meaning young clergymen to me. “They are a constant lesson and
reminder to us, my friend. Did you ever read Durandus on Symbolism?
That is a very precious observation of his, that a bell rope symbolises
humility--it always hangs down.”
But if an energetic young reformer calls himself an Evangelical, he is,
if possible, a more dangerous innovator than the other. Then the axes
and hammers come in with a vengeance. None of your pagan inscriptions
for him, teaching false doctrine and popery. None of your _Orate pro
anima_, none of your crosses and remains of frescoes on his walls; St.
Christopher with the Child upon his shoulder wading through the stream,
St. Sebastian stuck all over with arrows, or St. Peter with those very
objectionable keys. As for the rood screen, away with it! Are we not
all kings and priests? If you must have a division between the chancel
and the nave, set up the pulpit there, tall, prominent, significant;
and if the preacher can’t be heard, then learn the lesson which our
grandfathers taught us, and let there be a sounding-board.
Public-domain text, read in full here on John Shaqi.
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