The beatific smile itself was not altogether new to me. Anyone else can
see it who wanders into the Gallery of the Prado. It irradiates the face
of an old saint by Ribera--a study for one of his large canvases, and is
hung above the line. I used to stand before it for hours, studying the
technique. The high lights on the face are cracked in places, and the
shadows are blackened by time, but the expression is that of one who
looks straight up into heaven. And there is another--a Correggio, in
the Hermitage, a St. Simon or St. Timothy, or some other old
fellow--whose eyes run tears of joy, and whose upturned face reflects
the light of the sun. Yet there was something in the face of the priest
before me that neither of the others had--a peculiar human quality,
which shone out of his eyes, as he stood bareheaded in the sunshine, the
little girl in his arms. If the child had been his daughter--his very
own and all he had, and if he had caught her safe from some danger that
threatened her life, it could not have expressed more clearly the
joyousness of gratitude or the bliss inspired by the sense of possessing
something so priceless that every other emotion was absorbed.
It was all over in a moment. He did not continue to beam irradiating
beatitudes, as the old Ribera and the older Correggio have done for
hundreds of years. He simply touched his hat to me, tucked the child's
hand into his own, and led her off to her mother.
I kept at my work. For me the incident, delightful as it was, was
closed. All I remembered, as I squeezed the contents of another tube on
to my palette, was the smile on the face of the priest.
The weather now began to take part in the general agitation. The lazy
haze, roused by the joyous sun, had gathered its skirts together and had
slipped over the hills. The sun in its turn had been effaced by a big
cloud with scalloped edges which had overspread the distant line of the
river, blotting out the flashes of silver laughter, and so frightening
the little waves that they scurried off to the banks, some even trying
to climb up the stone coping out of the way of the rising wind. A cool
gust of air, out on a lark, now swept down the path, and, with lance in
rest, toppled over my white umbrella. Big drops of rain fell about me,
spitting the dust like spent balls. Growls of thunder were heard
overhead. One of those rollicking, two-faced thunder-squalls, with the
sun on one side and the blackness of the night on the other, was
approaching.
The priest had seen it, for he had the child pickaback and was running
across the sward. The woman had seen it, too, for she was already
collecting her baskets, preparing to follow, and I was not far behind.
Before she had reached the edge of the woods I had overtaken her, my
traps under my arm, my white umbrella over my head.
"The Châlet Cycle is the nearest," she volunteered, grasping the
situation, and pointing to a path opening to the right as she spoke.
Public-domain text, read in full here on John Shaqi.
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