controlling human consciences by standards of its own, founded on the teachings of the Prince of Peace. Nevertheless, being reasonably clear-headed and fearless, he was not without the suspicion at times that this reasoning was mystical, and in the face of facts he had every now and then his unpleasant quarters of an hour. This was one of them to-night. His hostess, when the dinner was over, had left him to a cigar and his own devices in the library. He was to join her presently and be shown her daughter's wedding presents. He had been invited to dine in order that he might see them, but Mrs. Wilson and he both knew that this was an excuse for a quiet evening together in which they might compare notes concerning their mutual interests. Reaching out to knock off the ash of his cigar into a dainty porcelain wheelbarrow, he noticed a new photograph on the mantel-piece and rose to examine it. He recognized it as one of Clarence Waldo, the New Yorker to whom Miss Lucille Wilson was betrothed. The sight of this young man's countenance did not serve to restore Mr. Prentiss's serenity. On the contrary, he stood gazing at the photograph with an expression which suggested that his soul was still perturbed. The face was that of a man of twenty-seven or eight with delicate features--thin lips, a long nose and an indefinable haughtiness of expression which was made up of weariness and disdain. He had large eyes which lacked lustre, and his sparse hair gave the effect of having been carefully brushed. The clergyman had met him only a few times, and Mr. Prentiss had never forgotten the first occasion, which was at Lucille's coming-out ball three years before. He had happened to find himself in Mr. Waldo's path when the young man was in the act of carrying everything before him with a plate of salad for his partner, and he had never forgotten the cold impertinence of the New Yorker's stare. Paul Howard, Lucille's cousin, who witnessed the encounter, said afterward that Clarence had given Mr. Prentiss the dead eye, which was a telling description of the stoniness of the fashionable New Yorker's gaze. Mr. Prentiss had never heard this diagnosis, but he had remembered the episode. He regarded it, however, merely as additional evidence of the lack of reverence on the part of the young men of the day--and the young women, too, for the matter of that--not merely for sacred things, but for everything and everybody which were in their way or did not happen to appeal to their fancy. But though he considered this absence of social politeness as one of the cardinal failings of the age, his present thoughts regarding Lucille's future husband were not concerned with it.