And this same Hattie, whose heart's desire had once been to kiss Love, but whose lips were still a little twisted with the taste of clay, could kiss only Love's offspring now. But not bitterly. Thanksgivingly. Love's offspring was Marcia. Sixteen and the color and odor of an ivory fan that has lain in frangipani. And Hattie could sometimes poke her tongue into her cheek over this bit of whimsy: It was her well-paid effort in the burnt cork that made possible, for instance, the frill of real lace that lay to the low little neck of Marcia's first party dress, as if blown there in sea spume. Out of the profits of Hattie's justly famous Brown Cold Cream--Guaranteed Color-fast--Mulatto, Medium, Chocolate, had come Marcia's ermine muff and tippet; the enamel toilet set; the Steinway grand piano; the yearly and by no means light tuition toll at Miss Harperly's Select Day School for Girls. You get the whimsy of it? For everything fair that was Marcia, Hattie had brownly paid for. Liltingly, and with the rill of the song of thanksgiving in her heart. That was how Hattie moved through her time. Hugging this melody of Marcia. Through the knife-edged nervous evenings in the theater. Bawlings. Purple lips with loose muscles crawling under the rouge. Fetidness of scent on stale bodies. Round faces that could hook into the look of vultures when the smell of success became as the smell of red meat. All the petty soiled vanities, like the disordered boudoir of a cocotte. The perpetual stink of perfume. Powder on the air and caking the breathing. Open dressing-room doors that should have been closed. The smelling geometry of the make-up box. Curls. Corsets. Cosmetics. Men in undershirts, grease-painting. "Gawdalmighty, Tottie, them's my teddy bears you're puttin' on." Raw nerves. Raw emotions. Ego, the actor's overtone, abroad everywhere and full of strut. "Overture!" The wait in the wings. Dizziness at the pit of the stomach. Audiences with lean jaws etched into darkness. Jaws that can smile or crack your bones and eat you. Faces swimming in the stage ozone and wolfish for cue. The purple lips-- Almost like a frieze stuck on to the border of each day was Hattie's life in the theater. Passementerie.