The Wellfields: A novel. Vol. 1 of 3Fothergill, Jessie
General
The Wellfields: A novel. Vol. 1 of 3
Fothergill, Jessie
English fiction -- 19th century
Born beneath southern skies, brought up in his very early childhood
in Italian cities, these influences engraved themselves deeply,
indelibly upon his nature. The mother’s blood streaked every thought,
every impulse, with a mixture of passion and indolence, fire and
superstition. That mother had been the beautiful daughter of an old,
impoverished Sicilian house—a house which had never before married out
of its own nation and its own sphere. To her son she bequeathed her
own hereditary tendencies—she had had much of the indolence, all the
superstition of that glorious, yet degraded race of Magna Græcia.
In after-days, when Jerome looked up into the murky skies of
Lancashire—those skies which gloomed over the grey walls of his
father’s house—those deep, unspeakably blue heavens whose glory
bathed the marbles of Venice, the quays of Naples, the ruins of Rome,
the pictures of Florence, whose glamour lent itself to the whispering,
rustling grey of the olives on Mediterranean coast terraces, and made
the yellow sand more yellow, the blue sea more deeply violet, the
white sail more dazzling—this remembered heaven used to rush to his
recollection with a light that was almost lurid, and scattered tones
of a speech that was music seemed to ring melodiously in his ears.
Italy had faded, yet her finger-mark remained ineffaceable upon his
innermost heart, as his mother’s beauty remained upon earth, stamped
in the beauty of his own face and the melody of his voice, which, so
long as voice or feature remained, should visibly and audibly attest
the presence upon earth of a land where skies are warmer, where love is
fiercer, where passions run more quickly into white-hot rages than in
this humid isle of ours.
Another influence had been almost as strong as that of Italy—as strong
as any influence which is not already in a man’s natural tendencies
can be—and that influence was Germany. After a brief stay in England,
during which his father’s second marriage had taken place, he had
been sent to the gymnasium of ——, where he had gone through all the
courses, and, besides the regular school-training, had been trained
also in the school of music.
In that land his voice and his musical powers formed a passport. By
degrees, the Italian ditties, with their oily sweetness, slipped away,
as they have the trick of doing, from his tongue, and the rougher,
deeper songs of the Fatherland grew at home there. Casting himself with
eagerness into the art, he grew more and more devoted to it, and but
for one thing he often felt as if he would never care to leave this
_Deutschland_, this home of mighty harmonies, this adopted country.
That one thing was the remembrance of his home itself—of the weird,
ancient Abbey, with its dark, quaint gardens, its cloisters beside the
river; and the still more ancient church which he dimly remembered.
Public-domain text, read in full here on John Shaqi.
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