The Wellfields: A novel. Vol. 2 of 3Fothergill, Jessie
General
The Wellfields: A novel. Vol. 2 of 3
Fothergill, Jessie
English fiction -- 19th century
‘Yes, indeed! I was most truly grieved to hear of it. We must all
lament it—you that you have lost a good husband, and we artists that a
brother of such promise is lost to us.’
‘You speak most beautifully, Fräulein. It has been a sore blow to us.
I and my babes are left almost penniless. I shall have to work now
to find bread for them, and thanks to the goodness of my friends, I
believe it will be made easy for me.’
‘What _can_ she want?’ Sara was beginning to think, when Frau Goldmark
again took up her parable with great animation, saying:
‘The artists, my husband’s friends, have not forsaken me in my
distress. Herr Professor Wilhelmi has behaved to me like a father.’
‘He is goodness and generosity itself, I know,’ replied Sara, her full
contralto tones in strong contrast with the high-pitched notes of Frau
Goldmark’s voice. She had that great defect, common to so very many of
her countrywomen, a high, harsh, shrill voice.
‘He asked me what he could do for me, and I related my plan to him,
which he approved of. I said that if I had but a little capital I could
earn a living for myself and my children. I would open a photographic
atelier. My father was a photographer, and I am perfectly acquainted
with everything belonging to the art.’ Sara suppressed a smile—this
from an artist’s wife. ‘A very little practice, and I should succeed
admirably. The money to start with remained the only difficulty.’
‘I see,’ said Sara, wondering more than ever what she could be supposed
to have to do with it.
‘Perhaps you have heard, Fräulein, that Professor Wilhelmi, and some
other gentlemen and ladies, have decided, out of their respect and
love for my husband’s memory, to give an entertainment on my behalf of
_tableaux vivants_, for which you know they are so celebrated here.
They are to be given in the _Malkasten_ Club, or, if that is not large
enough, in the _Rittersaal_ of the Tonhalle. They think by this means
that they can realise the sum necessary. Oh, Fräulein Ford, I _beg_ you
to consent!’
‘Consent—to what, my dear Frau Goldmark?’ she asked, in bewilderment.
‘If you will take a part in the two principal pictures, the success is
assured of the whole entertainment,’ was her breathless reply, while
Frau Goldmark half rose from her chair and held out her hands towards
Sara, _flehend_, as she herself would have said, in a theatrical manner.
‘I—oh, I am afraid it is impossible!’ said Sara, hastily.
‘Ah, do not say so, Miss Ford! Think what it means to me. There is no
one else here who can do it as you would do it. The Herr Professor
quite agreed with me. He gave me this note to bring to you.’
Saying which, she suddenly pulled a little note from the bosom of her
dress, and gave it to Sara, who, astonished at the whole affair, read,
in Wilhelmi’s hand:
‘Do, if you possibly can, give your consent to Frau Goldmark’s
request, it is for a good cause; and, if my approval is anything to
you, you have it to the full.
‘WILHELMI.’
Public-domain text, read in full here on John Shaqi.
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