Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
‘I’m not likely to shout them abroad under the present régime. And as
to this infernal committee—oh, well, I’ll think about it.’
‘Very well; think favourably. It’s the only way to help, remember—and
very good policy into the bargain. Some day, my boy, maybe you’ll grow
sensible. Good-bye.’
Sybert paced up and down the room for five or ten minutes after
Melville had left, and then picked up his hat and started out again.
Turning toward the Piazza Barberini, he strode along, scowling
unconsciously at the passers-by. He bowed mechanically to the people
who bowed to him. Along the Corso he met the procession of carriages
going toward the Pincio. Ladies nodded graciously; they even
half-turned to look after him. But he was quite unaware of it; his
thoughts were not with the portion of Roman society which rode in
carriages. He traversed the Corso and plunged into the tangle of more
or less dirty streets on the left bank of the Tiber. Here the crowds
who elbowed their way along the narrow sidewalks were more poorly
dressed. After some twenty minutes’ walking he turned into a narrow
street in the region of the grimy ruins of the theatre of Marcellus,
and paused before the doorway of a wine-shop which bore upon its front
the ambitious title, _‘Osteria del Popolo Italiano_—Tarquinio
Paterno.’ With a barely perceptible glance over his shoulder, he
stepped into the dingy little café which opened from the street. The
front room, with its square wooden tables and stiff-backed chairs, was
empty, except for Madame Tarquinio Paterno, who was sweeping the floor.
Sybert nodded to her, and crossing the room to the rear door, which
opened into the _cucina_, knocked twice. The door opened a crack for
purposes of examination, and then was thrown wide to admit him.
The room which was revealed was a stone-walled kitchen, lighted in the
rear by a small-paned window opening on to a gloomy court-yard.
‘Lighted’ is scarcely the word to use, for between the dirt on the
panes and the dimness of the court, very little daylight struggled in.
But the interior was not dreary. A charcoal fire blazing on the high
stone hearth shot up fiercely every now and then, throwing grotesque
high lights on the faces of the men grouped about the room.
Public-domain text, read in full here on John Shaqi.
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