The White Lady of Hazelwood: A Tale of the Fourteenth CenturyHolt, Emily Sarah
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The White Lady of Hazelwood: A Tale of the Fourteenth Century
Holt, Emily Sarah
England -- Fiction; Historical fiction
Like all men in his day--and a good many in our own--Matthew had a low
opinion of woman. It had been instilled into him, as it was at that
time into every man who wrote himself "esquire," that the utmost
chivalrous reverence was due to the ladies as an abstract idea; but this
abstract idea was quite compatible with the rudest behaviour and the
supremest contempt for any given woman in the concrete. Woman was an
article of which there were two qualities: the first-class thing was a
toy, the second was a machine. Both were for the use of man--which was
true enough, had they only realised that it meant for man's real help
and improvement, bodily, mental, and spiritual; but they understood it
to mean for the bodily comfort and mental amusement of the nobler half
of the human race. The natural result of this was that every woman must
be appropriated to some master. The bare notion of allowing a woman to
choose whether she would go through life unattached to a master, or, if
otherwise, to reject one she feared or disliked, would have seemed to
Matthew the most preposterous audacity on the part of the inferior
creature, as it would also have appeared if the inferior creature had
shown discontent with the lot marked out for it. The inferior creature,
on the whole, walked very meekly in the path thus swept for it. This
was partly, no doubt, because it was so taught as a religious duty; but
partly, also, because the style of education then given to women left no
room for the mental wings to expand. The bird was supplied with good
seed and fresh water, and the idea of its wanting anything else was
regarded as absurd. Let it sit on the perch and sing in a properly
subdued tone. That it was graciously allowed to sing was enough for any
reasonable bird, and ought to call forth on its part overflowing
gratitude.
Even then, a few of the caged birds were not content to sit meekly on
the perch, but they were eyed askance by the properly behaved ones, and
held up to the unfledged nestlings as sorrowful examples of the
pernicious habit of thinking for one's self. Never was bird less
satisfied to be shut up in a cage than the hapless prisoner in that
manor house, whom the peasants of the neighbourhood knew as the White
Lady. Now and then they caught a glimpse of her at the window of her
chamber, which she insisted on having open, and at which she would stand
sometimes by the hour together, looking sorrowfully out on the blue sky
and the green fields, wherein she might wander no more. A wild bird was
Marguerite of Flanders, in whose veins ran the blood of those untamed
sea-eagles, the Vikings of Denmark; and though bars and wires might keep
her in the cage, to make her content with it was beyond their power.
So thought Norman Hylton, looking up at the white figure visible behind
the bars which crossed the casement of the captive's chamber. He knew
little of her beyond her name.
Public-domain text, read in full here on John Shaqi.
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