The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
General
The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
Thus meditated M. Bergeret from the depths of his arm-chair. But
his thoughts were still so little under control that he rolled his
bloodshot eyes, gnashed his teeth and clenched his fists, until he
drove his nails into his palms. Painted with merciless accuracy on his
inner eye was the picture of his pupil, M. Roux, in a condition which
ought never to be seen by a spectator, for reasons which the professor
had first accurately deduced. M. Bergeret possessed a measure of that
faculty which we call visual memory. Without possessing the rich power
of vision of the painter, who stores numberless vast pictures in a
single fold of his brain, he could yet recall, accurately and easily
enough, sights seen long ago which had caught his attention. Thus there
lived in the album of his memory the outline of a beautiful tree, of
a graceful woman, when once these had been impressed on the retina of
his eye. But never had any mental impression appeared to him as clear,
as exact, as vividly, accurately and powerfully coloured, as full,
compact, solid and masterful, as there appeared to him at this moment
the daring picture of his pupil, M. Roux, in the act of embracing
Madame Bergeret. This accurate reproduction of reality was hateful;
it was also false, inasmuch as it indefinitely prolonged an action
which must necessarily be a fleeting one. The perfect illusion which
it produced showed up the two characters with obstinate cynicism and
unbearable permanence. Again M. Bergeret longed to kill his pupil, M.
Roux. He made a movement as if to kill; the idea of murder that his
brain formulated had the force of a deed and left him overwhelmed.
Then came a moment of reflection and slowly, quietly he strayed away
into a labyrinth of irresolution and contradiction. His ideas flowed
together and intermingled, losing their distinctive tints like specks
of paint in a glass of water. Soon he even failed to grasp the actual
event that had happened.
He cast miserable looks around him, examined the flowers on the
wall-paper and noticed that there were badly-joined bunches, so
that the halves of the red carnations never met. He looked at the
books stacked on the deal shelves. He looked at the little silk and
crochet pin-cushion that Madame Bergeret had made and given him some
years before on his birthday. Then he softened at the thought of the
destruction of their home life. He had never been deeply in love with
this woman, whom he had married on the advice of friends, for he had
always found a difficulty in settling his own affairs. Although he no
longer loved her at all, she still made up a large part of his life.
He thought of his daughters, now staying with their aunt at Arcachon,
especially of his favourite Pauline, the eldest, who resembled him. At
this he shed tears.
Public-domain text, read in full here on John Shaqi.
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