Love stories; Mate selection -- Fiction; Mills and mill-work -- Fiction; Southern States -- Fiction
“And we’ll take up all the carpets, and paint the floors--_I_ can paint
the floors! I’ve read about how you do it, and it will be _fun_!” The
infrequent color was climbing in her clear cheeks.
It was fun, all of it. She flung herself into it with all the energy
which she had meant for her new responsibilities at the mill, and for
being in love with Luke, and she rose at five and stayed up until
midnight many nights, and flew up the hill at noon for a precious
half hour. Slowly, very slowly, the old house crawled out of its skin
of ugliness and became simple and charming. The two women worked
tirelessly; Miss Ada hurried home from school to sew on curtains and
covers and valances, and Glen performed the more robust tasks of
painting and polishing, of hammering and tacking.
The oppressive wall papers were covered over with a cool gray with a
faint glint of gold in it, downstairs, and with prim little patterns
of blue and purple rosebuds and humming birds and weeping-willow trees
upstairs; the fat magenta and mustard colored flowers in the carpets
went away forever to bloom in Phemie’s delighted cabin, and the floors,
discovered to be surprisingly smooth and well laid, took their coats
of serene hues successfully; the windows looked at once demure and
arch between their dotted-muslin ruffles. The golden oak, sold to
Phemie’s friends and neighbors, brought enough to replace it with a few
satisfying old walnut and cherry things. There were no museum pieces,
but they were honest in line and color, and with fresh upholstering
in flowered chintz and hours of polishing took on an air of stable
worth. These, together with Miss Ada’s beautiful old sofa carved in
great bunches of grapes, her own dear father’s armchair, which she now
brought down from her chamber, a gate-legged table and a prim rocker
and a stern old bookcase and writing desk in one, furnished the house
sparingly, almost austerely, but very restfully.
“And now and then, as we feel we can afford it, we will add things,”
Miss Ada said.
Janice Jennings, who had taken her grandmother to Florida and brought
her back again for a final fortnight at the Bella Vista, stared at
it in gasping astonishment. Her bright mouth fell open as always in
moments of mystification. “It knocks me for a goal!” she admitted
freely. “It was the well-known world’s most horrible interior, and now
it’s a darb! I’ve got to hand it to you, girls!” She beamed on Glen and
Miss Ada in turn, and her bright little eyes roved consideringly over
the cool and quiet interior. “Now, you need an honest-to-God old clock
in the middle of the mantelpiece, and a Dresden China shepherd and his
sweetie saying--‘_Oh, you kid!_’ from each end, and you’ll be all set,
and I’ve seen the very things in that old cellar shop on Main Street.”
“I know,” Glen sighed appreciatively, “but we can’t spend any more
money just now, Janice.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account