The Woman in BlackBentley, E. C. (Edmund Clerihew)
General
The Woman in Black
Bentley, E. C. (Edmund Clerihew)
Detective and mystery stories; Trent, Philip (Fictitious character) -- Fiction
This morning as he scaled the cliff he told himself that he had never
taken up a case he liked so little, or which absorbed him so much. The
more he contemplated it in the golden sunshine of this new day, the more
evil and the more challenging it appeared. All that he suspected and all
that he almost knew had occupied his questing brain for hours to the
exclusion of sleep; and in this glorious light and air, though washed in
body and spirit by the fierce purity of the sea, he only saw the more
clearly the darkness of the guilt in which he believed, and was more
bitterly repelled by the motive at which he guessed. But now at least
his zeal was awake again, and the sense of the hunt quickened. He would
neither slacken nor spare; here need be no compunction. In the course of
the day, he hoped, his net would be complete. He had work to do in the
morning; and with very vivid expectancy, though not much serious hope,
he awaited the answer to the telegram which he had shot into the sky, as
it were, the day before.
The path back to the hotel wound for some way along the top of the
cliff, and on nearing a spot he had marked from the sea-level, where the
face had fallen away long ago, he approached the edge and looked down,
hoping to follow with his eyes the most delicately beautiful of all the
movements of water, the wash of a light sea over broken rock. But no
rock was there. A few feet below him a broad ledge stood out, a rough
platform as large as a great room, thickly grown with wiry grass and
walled in steeply on three sides. There, close to the verge where the
cliff at last dropped sheer, a woman was sitting, her arms about her
drawn-up knees, her eyes fixed on the trailing smoke of a distant liner,
her face full of some dream.
This woman seemed to Trent, whose training had taught him to live in his
eyes, to make the most beautiful picture he had ever seen. Her face of
Southern pallor, touched by the kiss of the wind with color on the
cheek, presented to him a profile of delicate regularity in which there
was nothing hard; nevertheless the black brows bending down toward the
point where they almost met gave her in repose a look of something like
severity, strangely redeemed by the open curves of the mouth. Trent said
to himself that the absurdity or otherwise of a lover writing sonnets to
his mistress's eyebrow depended after all on the quality of the eyebrow.
Her nose was of the straight and fine sort, exquisitely escaping the
perdition of too much length. Her hat lay pinned to the grass beside
her, and the lively breeze played with her thick dark hair, blowing
backward the two broad bandeaux that should have covered much of her
forehead, and agitating a hundred tiny curls from the mass gathered at
the nape.
Public-domain text, read in full here on John Shaqi.
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