The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory Girls — John Shaqi
The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory GirlsVan Vorst, John, Mrs.
History
The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory Girls
Van Vorst, John, Mrs.
Child labor -- United States; Women -- Employment -- United States; Working class -- United States
The box social was the beginning of a round of gaieties. The following
night I went with my box-social friend to a ball. Neither of us danced,
but we arrived early and took good places for looking on. The barren
hall was dimly lighted. In the corner there was a stove; at one end a
stage. An old man with a chin beard was scattering sand over the floor
with a springtime gesture of seed sowing. He had his hat on and his coat
collar turned up, as though to indicate that the party had not begun. By
and by the stage curtain rolled up and the musicians came out and
unpacked a violin, a trombone, a flute and a drum. They sat down in the
Medieval street painted on the scenery back of them, crossed their legs
and asked for _sol la_ from an esthetic young lady pianist, with whom
they seemed on very familiar terms. The old man with the chin beard made
an official _entree_ from the wing, picked up the drum and became a part
of the orchestra. The subscribers had begun to arrive, and when the
first two-step struck up there were eight or ten couples on the floor.
They held on to each other closely, with no outstretched arms as is the
usual form, and they revolved very slowly around and around the room.
The young men had smooth faces, patent leather boots, very smart cravats
and a sheepish, self-conscious look. The girls had elaborate
constructions in frizzed hair, with bows and tulle; black trailing
skirts with coloured ruffled under-petticoats, light-coloured blouses
and fancy belts. They seemed to be having a very good time.
On the way home we passed a brightly lighted grocery shop. My friend
looked in with interest. "Goodness," he said, "but those Saratoga chips
look good. Now, what would you order," he went on, "if you could have
anything you liked?" We began to compose a menu with oysters and chicken
and all the things we never saw, but it was not long before my friend
cried "Mercy! Oh, stop; I can't stand it. It makes me too hungry."
The moon had gone under a cloud. The wooden sidewalks were rough and
irregular, and as we walked along toward home I tripped once or twice.
Presently I felt a strong arm put through mine, with this assurance:
"Now if you fall we'll both fall together."
After four or five days' experience with a machine I began to work with
more ease and with less pain between my shoulders. The girls were kind
and sympathetic, stopping to help and encourage the "new girl." One of
the shirt finishers, who had not been long in the mill herself, came
across from her table one day when I was hard at work with a pain like a
sword stab in my back.
"I know how you ache," she said. "It just makes me feel like crying when
I see how you keep at it and I can guess how tired you are."
Nothing was so fatiguing as the noise. In certain places near the eyelet
and buttonhole machines it was impossible to make one's neighbour hear
without shouting. My teacher, whose nerves, I took it, were less
sensitive than mine, expressed her sensations in this way:
Public-domain text, read in full here on John Shaqi.
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