The Works of Edgar Allan Poe — Volume 4Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 4
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
Meantime, upon the main dining-table, among the bottles and
glasses, leaped the gentleman who, with such difficulty, had been
restrained from leaping there before. As soon as he fairly
settled himself, he commenced an oration, which, no doubt, was a
very capital one, if it could only have been heard. At the same
moment, the man with the teetotum predilection, set himself to
spinning around the apartment, with immense energy, and with arms
outstretched at right angles with his body; so that he had all
the air of a tee-totum in fact, and knocked everybody down that
happened to get in his way. And now, too, hearing an incredible
popping and fizzing of champagne, I discovered at length, that it
proceeded from the person who performed the bottle of that
delicate drink during dinner. And then, again, the frog-man
croaked away as if the salvation of his soul depended upon every
note that he uttered. And, in the midst of all this, the
continuous braying of a donkey arose over all. As for my old
friend, Madame Joyeuse, I really could have wept for the poor
lady, she appeared so terribly perplexed. All she did, however,
was to stand up in a corner, by the fireplace, and sing out
incessantly at the top of her voice, “Cock-a-doodle-de-dooooooh!”
And now came the climax—the catastrophe of the drama. As no
resistance, beyond whooping and yelling and cock-a-doodling, was
offered to the encroachments of the party without, the ten
windows were very speedily, and almost simultaneously, broken in.
But I shall never forget the emotions of wonder and horror with
which I gazed, when, leaping through these windows, and down
among us _pêle-mêle_, fighting, stamping, scratching, and
howling, there rushed a perfect army of what I took to be
chimpanzees, ourang-outangs, or big black baboons of the Cape of
Good Hope.
Public-domain text, read in full here on John Shaqi.
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