Vesuvius is of all volcanoes that which has been most closely studied;
it is, so to speak, the classical volcano. Few persons are ignorant of
the fact that it opened--after a period of quiescence extending beyond
the memory of living man--in the year 79 of our era. This eruption cost
the elder Pliny his life, who fell a sacrifice to his desire to witness
one of the most imposing of natural phenomena. After many mutations the
present crater of Vesuvius consists of a cone, surrounded on the side
opposite the sea by a semicircular crest, composed of pumiceous matter,
foreign to Vesuvius properly speaking, for we believe that Mount
Vesuvius was originally the mountain to which the name of _Somma_ is now
given. The cone which now bears the name of Vesuvius was probably formed
during the celebrated eruption of 79, which buried under its showers of
pumiceous ashes the cities of Pompeii and Herculaneum. This cone
terminates in a crater, the shape of which has undergone many changes,
and which has, since its origin, thrown out eruptions of a varied
character, together with streams of lava. In our days the eruptions of
Vesuvius have only been separated by intervals of a few years.
The Lipari Isles contain the volcano of Stromboli, which is continually
in a state of ignition, and forms the natural lighthouse of the
Tyrrhenian Sea; such it was when Homer mentioned it, such it was before
old Homer’s time, and such it still appears in our days. Its eruptions
are incessant. The crater whence they issue is not situated on the
summit of the cone, but upon one of its sides, at nearly two-thirds of
its height. It is in part filled with fluid lava, which is continually
subjected to alternate elevation and depression--a movement provoked by
the ebullition and ascension of bubbles of steam which rise to the
surface, projecting upwards a tall column of ashes. During the night
these clouds of vapour shine with a magnificent red reflection, which
lights up the whole isle and the surrounding sea with a lurid glow.
Public-domain text, read in full here on John Shaqi.
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