The Yellowstone National Park: Historical and DescriptiveChittenden, Hiram Martin
History
The Yellowstone National Park: Historical and Descriptive
Chittenden, Hiram Martin
Yellowstone National Park
The chief value of these explorations, however, was not in the line of
original discovery, but in the large collection of accurate data
concerning the entire region. The photographs were of immense value.
Description might exaggerate, but the camera told the truth; and in
this case the truth was more remarkable than exaggeration.
Unfortunately for Captain Barlow's collection, the great Chicago fire
almost entirely destroyed it. The same cause delayed the appearance of
his report until six weeks after the Park Bill was passed. An
interesting and complete summary, however, appeared as a supplement in
the _Chicago Journal_ for January 13, 1872. The report and collection
of photographs and specimens by Dr. Hayden were therefore the
principal results of this season's work, and they played a decisive
part in the events of the winter of 1871-2.
With the close of the expeditions of 1871, the discovery of the
Yellowstone wonderland was made complete. It remained to see what
Congress would do with so unique and valuable a possession.
CHAPTER X.
THE NATIONAL PARK IDEA--ITS ORIGIN AND REALIZATION.
The first steamboat to ascend the Missouri River as far as to the
mouth of the Yellowstone arrived at that point on the 26th of June,
1832. By a happy coincidence it bore the name _Yellowstone_. We are
indebted for the conception of the National Park idea to a passenger
upon this boat who was destined to become one of the most interesting
characters America has produced. Every one bears in memory those
pictures of Indian life which thrilled their youthful imagination with
visions of camping-grounds, council fires, exciting buffalo hunts, and
the wild and picturesque costumes of the red men. Very few, however,
realize how largely all that is best in these pictures has flowed from
a single source. The name of George Catlin is by no means familiar
except to the specialist. His work reaches the public eye through so
many different channels, and so often without any acknowledgment of
its origin, that the origin itself is very generally lost to view.
To no other individual does the Indian race owe so much for the
perpetuity in history and art of its life and customs. From an early
age he displayed an enthusiasm for every thing pertaining to the
aboriginal races which can be adequately described only by the word
worship. He abandoned the profession for which he had been educated,
and enlisted his whole energy in the service of brush and pencil,
apparently for the single purpose of indulging this passion of his
life. He once wrote:
"Unaided and unadvised, I resolved to use my art and so much of the
labors of my future life as might be required in rescuing from
oblivion the looks and customs of the vanishing races of native man in
America, to which I plainly saw they were hastening before the
approach and certain progress of civilization."[AE]
[AE] Manners, Customs, etc., of the North American Indians. See
Appendix E.
Public-domain text, read in full here on John Shaqi.
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