The Young Seigneur: Or, Nation-MakingLighthall, W. D. (William Douw)
History
The Young Seigneur: Or, Nation-Making
Lighthall, W. D. (William Douw)
Canada -- History -- Fiction
As they came to the high ground where the dip occurs, the vista appeared
below of a spacious avenue, down whose centre ran a straight and smooth
road-bed, and on either side twice its breadth of lawn, rolled and cut,
forming a sort of common, ornamented by a sparing group or two of the
ubiquitous pines of the neighbourhood. Along the edges of this avenue or
common, lay what could only be called a sort of _transfigured
French-Canadian village_, looking, in the quiet light of evening, as if
pictured by some artist out of studies of the places in the country
about. The dwellings were larger, better drawn, their windows, attics
and wings more varied in design, but amid their picturesque variety
could be discerned in several, a suggestion of the chimney of a certain
wild little cot in a dell near the Manoir; in others, of the solid stone
home of Jean Benoit; in many the chalet-eaved pattern of the ordinary
cottage. Perhaps the latter were made prettiest of all--they were at
least the airiest looking. It was in the colors and stainings applied to
the gables and other parts that the greatest care had been taken. These
were selected out of the ordinary red, yellow, white, and sage-green
washes in common use, with such taste as to effect a deeply harmonious
and ideal issue. Again, the plan of the village was peculiar. It was
simply an improvement on that of the local villages in general, the
dwellings being upon the border of the street and not far apart, with
their little, foot-wide flower-gardens close against the front. The
circular fan of a patent windmill lifted itself lightly, the most
prominent object in the settlement, and a charming Gothic schoolhouse
crouched farther down on the opposite side. Behind the houses, growths
of trees formed an enclosing background, according to the tastes of the
owners, but guided by some harmonizing supervision like the colors. And
at a short distance the avenue was crossed by a white poplar grove,
which brought the scene to a limit, and separated this dream of a rural
statesman from the common world.
"V'la, monsieur," said Zotique, who had joined them, stretching his
hand, "Behold the cherished work of our young seigneur."
Upon the galleries, the verandahs, the green lawn, the picture moved
with life. A half-haze, precursive of the twilight, lent scenic softness
to the forms of old men puffing their pipes before the doors, a maiden
listlessly strolling on the sward, a swarm of children playing near the
road, a distant toiler making his way home, bearing his scythe. The
visitors went down into the place and Chrysler saw that the artistic
shapes and ideal colors were worn with daily use, the men and women,
serene-looking, were still the every day mortals of the region.
"I think I have gained a great step in the houses and street," said
Haviland.
"And the Reveilliere is proud of its founder," added l'Honorable.
"We have a little newspaper--_Le Coup d'Oeil_,"--cried Zotique.
Public-domain text, read in full here on John Shaqi.
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