Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
George and Harry had received an answer to this advertisement from
"Mamie and Sadie," and, just to meet and become acquainted with them,
had purchased the four seats in row A, centre section, Grand Opera
House, making the theatre their place of assignation. "Mamie and Sadie"
were by no means the innocent and unsophisticated creatures they seemed
to be. One of them was the wife of a travelling man who was necessarily
away from home ten months in a year; the other was _nymph du pave_--a
street-walker--who scoured the principal thoroughfares at night for
victims to carry to her "furnished room," and who had been educated up
to the "personal" racket by the lonely and wayward young wife of the
commercial drummer.
So much for the noisy, otherwise obtrusive phases of the subject. The
ladies who go to the theatre to display themselves, to flash their
jewels and flaunt their silks and laces in the faces of the community,
have become so accustomed to the general run of theatrical attractions
that they are really no longer spectators, and may be justly classed
among the distracting agencies in the audience. Their mission is a
"mashing" one to a certain extent, but it is "mashing" of a vain and by
no means harmful character. Other ladies are seen in the dress circle
and the boxes who do not disguise the fact that they have come to the
theatre to fascinate the too, too yielding men. At the matinees there
are women of questionable repute who unblushingly advertise their
calling and who must be set down as a feature most objectionable to the
respectable portion of any community. They behave themselves as far
as words or actions go, but their mere presence in the play-house is
an annoyance that refined and elegant people cannot tolerate. That is
all about them. Now for the very worst practices that are occasionally
noted in theatres, and that the managers know very little if anything
about,--the women who are there for nefarious purposes, and the men
who have other ideas than gratifying their vanity or merely making
heart-conquests. It is a notorious and flagrant fact that fast women
use the theatre as places of assignation, wherein they meet old and
make new acquaintances, and it is equally notorious that men whose
whole energy seems bent to the distruction of innocent girlhood make it
a rendezvous for the purpose of selecting and snaring their victims.
It is perfectly safe to assume that the cunning and sinful pair fleeced
George and Harry before they got through with them.
Public-domain text, read in full here on John Shaqi.
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