"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3) — John Shaqi
"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
It was indecorously hurried through the Commons and tossed to the
Lords, at the close of the session of 1737. There it met the sturdy
opposition of Chesterfield. He looked upon the bill as an attempt,
through restraining the licence of the stage, to destroy the liberty
of the press; for what was seditious to act, it would be seditious to
print. And, if the printing of a play could be stopped, there would
soon be a gag on pamphlets and other works.
The very act of Giffard showed that the players were anxious not
to come in collision with government; and the existing laws could
be applied against them if they offended. But those laws were not
applied, or Mr. Fielding would have been punished for his "Pasquin,"
wherein the three great professions--religion, physic, and law--were
represented as inconsistent with common sense. Chesterfield thought
that the same law might have been put in force against Havard, for
his "King Charles I."
If ministers dreaded satire or censure all they had to do was so to
act as not to deserve it. If they deserved it, it would be as easy
to turn passages of old plays against them, as to make them, in new.
When the Roman actor, Diphilus, altered the words "Nostrâ miseriâ tu
es magnus!"--a phrase from an old play--the eyes of the audience were
turned on Pompeius Magnus, who was present; and the speaker was made
to repeat the phrase a hundred times. Augustus, indeed, subsequently
restored "order" in Rome; but God forbid that order should be
restored here, at such a price as was paid for it in Rome!
False accusations, too, could be lightly made. Molière complained
that "Tartuffe" was prohibited on the ground of its ridiculing
religion, which was done nightly on the Italian stage; whereas he
only satirised hypocrites. "It is true, Molière," said the Prince de
Conti, "Harlequin ridicules heaven and exposes religion; but you have
done much worse,--you have ridiculed the first minister of religion."
Against the power of prohibition being lodged in one single man,
Chesterfield protested, but in vain. One consequence, he said, would
be, that all vices prevalent at court would come to be represented as
virtues. He told the Lords that they had no right to put an excise
upon wit; and said, finely, "Wit, my Lords, is the property of those
who have it,--and too often the only property they have to depend on.
It is, indeed, but a precarious dependence. Thank God!" he said, "we,
my Lords, _have a dependence of another kind_!"
Public-domain text, read in full here on John Shaqi.
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